Conceito Vinho Branco 2008

Portugal is only starting to become known for its dry wines. The most recognizable of these are the dry reds from producers like Quinta do Crasto, which is certainly making some very good wines. The other producers we’ve seen in both Canada and the U.S. market have been variable in quality, ranging from low to mid range in price point. Many of these wines are over oaked or jammy and none too exciting.

After visiting Portugal last year (thanks Icelandic volcano) and tasting many of the country’s dry and fortified wines, I came to realize that a whole lot more is going on there than most in North America realize. The most exciting dry wines I tasted were made in a much more elegant and sophisticated style than what we tend to see over here, particularly the outstanding dry reds of Niepoort, which was perhaps the most exciting producer I encountered in my time in both Portugal and Spain (and one I really need to write about in more detail at some point).

I was also quite charmed by a number of the white wines I tasted in Portugal, from very well made and balanced Alvarinhos that shame the stuff we see here to more heady and sophisticated whites. However, it was not until I opened a bottle of the new producer Conceito’s white blend that I realized how high quality white wines from the Douro could be.

Rediscovering Terroir in the Douro

Conceito is Portuguese for concept, which is more than just clever marketing for a country that is mostly devoid of clever marketing. Conceito is a winery that wants to rediscover the concepts of the Douro valley by rediscovering its various terroirs and challenging the notion that it is a singular region (a ‘concept’ that port has helped to become predominant). Winemaker Rita Ferriera is bold in her vision to expose not only these terroirs but also to highlight how good some of the dozens of indigenous grapes can be. She makes a striking and exciting red wine from Bastardo, for example. Conceito makes wines in the eastern Douro, which has a distinctly different climate (far more arid) from the lower Douro.

This white blend is made from four varieties of indigenous grapes: Rabigato, Codega, Viosinho, and Gouveio. The vines are 80 years old and everything is dry farmed. Rabigato is known to be a low quality and high yielding grape (so it is all the more amazing what Ms. Ferriera has done with it), while Codega is a blending grape traditionally used in Madeira. Viosinho is a high acid grape used in blending white port (along with all the other varieties listed here) and is known to bring orchard fruit and floral qualities into the mix. Gouveio is similar to Verdelho and offers high acid and citrus characteristics but can produce good balance between sugar and acid. Gouveio is also frequently used in Portugal’s sparkling wines.

Superlative White Wine

Conceito’s Vinho Branco is a show stopper. I was frankly floored when tasting this as it approximated a very good white Bordeaux in quality and makeup. The wine’s creamy density finds its home perfectly within a superbly balanced high acid structure with extremely expressive citrus and floral notes. There are certainly some apricot pith notes in this wine that add to the complexity of its very full bodied palate. Texture is often what separates great wine from good wine and, for my palate, Conceito’s Vinho Branco has a perfect textural balance between voluptuous silkiness and mouthwatering crispness.

It is frankly revelatory that white wine this good is being made in the Douro and I urge any forward thinking agency to pick this winery up and bring it into the province. The prices are superb, the quality unmatched and the labels and marketing well suited to the North American market. You can find these wines right now in some U.S. states and in the UK.

Excellent and Highly Recommended Value
24 euros in Oporto, Portugal (at an amazing bottleshop that I will share with anyone traveling there)

Quinta do Crasto Tinta Roriz 2003

IMG_3753Quinta do Crasto is one of the largest dry wine producers in Portugal. Fortunately, they are also one of the best. Situated in the Douro valley, where grapes for the famous port wines are grown, Quinta do Crasto has a massive range of wines extending from $20 bottlings produced at 450 000 bottles to single vineyard and single varietal bottlings coming in at a mere few thousand bottles. These wines are also hard to find in a lot of the United States, but fortunately here in BC the agency Seacove has a good relationship with Crasto and brings in their entire line of wines. These are the sort of wines to cut your teeth with in the land of dry Portuguese reds as they straddle the line between a modern international style and a more terroir driven approach. I’ve also tasted through almost their entire line of wines and am impressed with the distinctive characteristics of each of the high end bottlings.

At this summer’s Wine Blogger’s Conference the Portuguese wine growers association (or something like that) put on a tasting of Portuguese wines. This was exciting to a lot of bloggers because many had not tasted wines from Portugal at all before. However, we are lucky in the BC market in that we have a few excellent options, Crasto being one of them. And, I think the offerings from Crasto (and Niepoort for that matter) far outclass anything that was being poured at the event down in Sonoma this summer. For all you U.S. readers, there is a big world of portuguese wine that has yet to flow into the states.

However, all that said, I think there may be a bit of over-hype and over-excitement about Portuguese dry wines right now. Yes they are well made and usually good value, but not that many of them are truly distinctive. Other than a small handful of 5-10 top producers, there isn’t that much exciting going on, at least for me. I remain to be persuaded otherwise though, and bottles like this one promise that the region has incredible potential.

Tinta Roriz is another name for Tempranillo. On the nose of this wine I got bacon fat, plum, chocolate, smoke, and crushed dark berries. The palate was reminiscent of Ribera del Duero wines from Spain with smoke, bacon, chocolate, plume, black cherry and a soft licorice lacing. This isn’t surprising given that the Douro Valley is an extension of the same river that flows through Ribera in Spain. I am consistently impressed with how smooth and integrated Quinta do Crasto’s wines are, and this is no exception. And, while I wouldn’t necessarily say that this wine is elegant, I would call it velvety and soft with a very extended mouthfeel. Very distinctly tempranillo, this also brings in the richness and savory qualities of a really good syrah. Definitely worth picking up if you enjoy bigger old world wines a la Ribera del Duero.

Excellent
$70 at BCLDB

Quinta do Crasto Vinha Maria Teresa 2003

Marquis1My day started blue – a nicely bruised toe from the first blunder in a chain of bad luck that would not abate for the entire day. We’ve all had rough days, blue or otherwise, and our common ability to get through them is a testament to human tenacity. But usually it is the comfort and kindness of another that truly allows us to prevail. Well, that and a nice bottle of wine.

After perhaps the worst day I had in a year I realized it was no longer appropriate to keep a very special bottle of Quinta Do Crasto Vinha Maria Teresa 2003 corked until the originally planned date. No, there is nothing like a really bad day to demand a really good wine – shared simply with comfort and sympathy from a loving partner.

The wine, by the way, was gorgeous. With a nose of big blue fruits that smelled like the earth, freshly crushed and perfectly ripened black plums, a sleek and sexy mocha infused espresso, and a bit of butterscotch drizzled on top of a sweet cherry pie, there was no doubt in my mind that the healing had begun. And, as I was feeling somewhat philosophical at the time, I was thinking of some of my favourite works of literature and of how arduous times can become paths towards an unexpected future.

Luckily, my next sip of this lush purple juice promised great things: a palate like a big plush blanket of stewed cherries, butterscotch and crushed blackberries dripped over river stones and intense, minerally earth. This wine was an impressive pairing of power and elegance with a nearly eternal finish. With the density and concentration of a port, but the light footed elegance of a Bordeaux, this symbolized precisely how I hope my future will play out: passion and grace. If all good wine and good company could accomplish this goal, we’d scarcely venture outside of the confines of our epicurean fantasies. All in all, a perfect curative for an awful day.

Excellent+
$135 at BCLDB

Graham’s Vintage Port 1997

IMG_3536I like how the portuguese ‘declare’ vintage years in the Douro valley for port. Not only does it guarantee a certain level of quality when you buy the ‘vintage’ labeled wines, but it also gives the wineries the opportunity to use declassified fruit in their ‘lower end’ blends in non-vintage years.

This, however, is a full blown vintage port from the excellent 1997 harvest. Unlike the 1980 Smith Woodhouse port I had a week or so before this, the Graham’s port is a big fruit ballbuster of a wine. The nose was big and chocolatey with blue and black fruits rushing over each other to dominate the aromas. The palate was quite caramel centric, and had wonderful full blueberry and blackberry with fantastic acid to balance the sweetness. I also got some cedar wood as the wine opened with air. In your face tasty, but not quite as elegant or complex as the Smith Woodhouse.

Very Good+
$60 / 375ml at BCLDB

Smith Woodhouse Vintage Port 1980

1980, my birth year. I’m not sure I should be admitting that, but I suppose it’s still within a reasonable distance from the present. 1980 was, it seems, a pretty good year for port, and while I was saving this for some occasion or another, my recent experience with heat damage prompted a ‘what the hell’ pop open of this very intriguing bottle.

The nose was a little toasty, but also had currant, raisins, and dried cherry. While at first I thought the alcohol on the wine was a bit forward and unbalanced, with a little air everything seemed to settle into place and this turned out to be a very enjoyable experience. For those who haven’t tasted older vintage port, with time the youthful vigour and intensity gives way to subtle layering, moderate tannin and great delineated expression of flavours that, when young, are often lost in the density of the wine.

With this Smith Woodhouse I tasted cherry, blueberry, chocolate, wood, fig, strawberry, burnt caramel, bergamot, and cigar. The level of complexity was impressive and the fact that such distinct flavours expressed themselves to a moderate palate such as my own was quite exciting. I was also shocked by the level of juicyness in the port, despite its leathery and dried fruit character. Even compared to other older vintage ports, this was a special bottle, and not really over the top in terms of pricing. Port fans owe themselves a sip.

Excellent
$50 at BCLDB

CARM Grande Escolha 2003

Portuguese wine always goes unnoticed, and for no good reason at all. I’ve mentioned this before, but Douro dry reds can really be quite stunning and it’s a shame not too many people indulge in their power and finesse. This wine came from the hot 2003 vintage which produced many overly alcholic wines across Europe, but in Portugal both the ports and the dry reds of Douro faired very well indeed.

The nose on this gem was all balance straight on the attack: I got wood, cassis, and blackberry jam on top of nice grip and excellent concentration. While this is a full mouth-coating wine, it is also not over-extracted nor does it have pronounced glycerin. Indeed, there is even a slight salty side to this eminently drinkable wine. Pair it with a great goat or sheep’s milk cheese from Portugal or Spain and you will realize the unique approach that Portuguese wine brings to the fore.

Excellent
$40 at BCLDB (Purchased for $28 on sale)

Quinta do Infantado Vintage Port 1995

Another of the joys of California is that you can get smaller producers and older wines off the shelf for reasonable prices. I picked this bottle up at a great store called The Spanish Table, which, self-evidently, specializes in Spanish products.

I have not had a vintage port quite like this before. The nose was figgy with further notes of raisin, date, and prune – but not over the top; rather very refined. The palate was super spicey with the same characters as above, with a maple-like edge. This was simply brilliant with real character, depth and elegance. And, it proved to me that, dear god, aged port is good!

Excellent to Excellent+
$24 at The Spanish Table

Graham’s Malvedos Vintage Port 2001

My first introduction to port many years ago was, perhaps fortuitously, with a half bottle of the Graham’s 2000 Vintage Port, selected almost randomly. This was an absolutely stellar bottle and made me wonder why I hadn’t had port before. I later found out that 2000 was a brilliant vintage for port and that the Graham’s 2000 Vintage received 98 points from Wine Spectator. This port is still available today, but at $80 for a half bottle – $50 more than I paid.

Thus it was that I couldn’t resist picking up a bottle of this ‘lesser’ port from Graham’s in a year where a vintage was not declared. The Malvedos, however, is a single quinta port, meaning that it is made from a single vineyard, the grapes from which are normally used as the backbone of the regular vintage bottling. The single quinta ports come out when the weather wasn’t good enough to declare an official ‘vintage’ year. The price reflects this, but if this bottle is any indication, great values are to be had here.

The nose was grapey, chocolatey, and filled with sugared plums and dates. Very rich and a little boozy – but not ‘hot’. The palate was well tannined and full and introduced pepper and spice with figs and dates. With a texture that was rich, smooth and very beautiful in the mouth, a perfect sugar level, and a brilliant sumptuousness, Graham’s upheld their reputation in my mind for top level sweet wine: simply put, not many sweet wines taste this good. And, of course, this voluptuous liquid paired perfectly with chocolate (it went particularly well with a maple infused chocolate bar that was dappled with alder smoked salt from a lovely local chocolate maker).

Excellent
$32 for 375ml

Niepoort Redoma 2003

Niepoort is best known as a family firm producing superb vintage ports. However, although this part of their operation has less breadth of recognition, they also produce some fantastic dry red blends from grapes grown in the Douro valley. I think Portugal is an exciting place for wine right now, although they are having some problems with marketing themselves as well as the other big European exporters. They are, nevertheless, worth seeking out for good quality and good value dry red wines.

This particular red blend was very rich and dark in the glass. Its nose of blueberry, plum and earth was powerful and yet restrained. A tasty earthy and blueberry tang fills the mouth as the wine progresses smoothly to a licorice and herb-like mid-palate and into a nice mid to long finish. While not terribly complex, I do think the Redoma strikes a good compromise between flavour, drinkability and length. It is, perhaps, a tad too expensive in this market, but I expect it is less than half price down south.

Very Good
$56 at BCLDB

Quinta do Crasto Touriga Nacionale 2001

I’ve become quite fascinated with Portuguese dry reds in the past couple year after tasting a Quinta do Crasto old vine Douro blend from 2004. Over time I managed to pick up a fair sampling of Crasto’s more expensive bottlings on sale at the signature store in downtown Vancouver. The aging potential is still not the same as top french wines, but I like the fact that these wines can be consumed younger – I already have enough stuff waiting in the cellar as it is.

The nose on this Varietal wine (Touriga Nacionale) was rich in bacon fat and luscious dark fruit. The palate was incredibly silky with blueberry, chocolate, and dark berry compote. Round and port-like, this was also delicate with very fine tannin. Perhaps fading slightly now, this could have used a bit more grip, but the elegance and rich luscious fruity goodness was unmistakable. So, while this wine didn’t have a crazy bevy of complex layers nor a particularly long finish, it did have incredible purity of fruit. And, that is pretty enjoyable in itself.

Excellent
$80 ($54 on sale)