Spotlight on New Zealand: Sacred Hill Deerstalkers Syrah 2007

With all the hype over Kiwi Pinot Noir, it has been a huge surprise to me that the most exciting wines I have tasted for this spotlight have been not of the famed Burgundian grape, but rather of the Rhone Valley sleeper: Syrah.

Syrah the Neglected

Syrah gets short shrift in the world of wine. One of the major noble grapes, it has yet suffered from consumer disinterest and abuse at the hands of huge Australian producers who labelled the grape as Shiraz and turned it into a commodity wine. The over extracted syrahs of central California have done little to help the grape’s cause, despite the fact that the region is very well suited to the grape and that the best producers are making fantastic wines.

Both of the two dominant new world styles that most new world consumers are exposed to have failed to express Syrah’s impressive ability to express terroir – an ability only matched by Pinot Noir. Whereas Pinot seems more able to express the unique divergences of terroir in the tiny region of Burgundy, Syrah seems to have the uncommon capacity to carry forth the stamp of almost any region in which it is planted, if only it is treated properly.

In the old world, focus on Chateaneuf du Papes has taken away from the great Syrah based wines of both the Languedoc and the Northern Rhone, particularly the top wines from St. Joseph and Cornas, which have a brooding depth coupled with a level of aromatic complexity not unlike Pinot Noir. A great Cote-Rotie is not unlike a great Burgundy, which has much to do with the two Cotes’ proximity.

Kiwi Potential

Very few wines in the New World have managed to capture the elegantly intense allure of the great wines of the Northern Rhone Valley and yet retained their own unique sense of place. The Syrahs I have tasted from New Zealand, however, have gone collectively further than any other new world region to honouring the true beauty of Syrah while maintaining a unique sense of terroir that is unmistakably New Zealand.

On Soils and Farming

Sacred Hill’s Deerstalker Syrah is planted in the Gimblett Gravels region of Hawke’s Bay, which is an old gravel river bed (alluvial soils of sand, silt, clay and gravel result from the shifting river bed – if you want to read more about the soils go here) with warm soil temperatures and low moisture. This allows for early ripening.

The grapes are hand picked, destemmed without crushing and fermented in small open vats and hand pressed. I’m not sure how the vines are cropped, but I am sure the yields are on the lower side – it is clear that all of the fruit used in this wine is at or very near ideal physiological and phenolic ripeness.

Syrah the Great

The wine itself smells purple with dark plum fruits and definite oak on the nose. The palate is completely unexpected: pepper pot, savory herbs, low toned fruit, game and meat. This is a rich wine but not at all over the top and the finish is of good length but not yet incredible. Of course, all the components smooth out nicely with a decant. Overall I find this to be surprisingly well balanced, and the alcohol integrates well with the tannin and fruit. There is no doubt that this is unique Syrah and another fascinating example of what New Zealand is doing with the grape. It may be that it is Syrah rather than Pinot that will ultimately make NZ’s greatest wines.

Excellent
$50 at Playhouse International Wine Fest

Planeta Chardonnay 2008

Chardonnay has been criticized so thoroughly that it is almost shocking anyone drinks it anymore. Luckily, the caricature wines are in decline and real Chardonnay is making a come back. There is still a debate about Chard unadulterated vs. Chard done up all pretty, but I personally think there is a place for both the classic terroir driven Chards of Chablis and Champagne and the elegant, sophisticated and ultimately hedonistically pleasureable chards of the Cote D’or and elsewhere.

Molten Sunshine

California sunshine was the first ingredient in a bevy of bad decisions that ultimately made California Chardonnay the harbinger of the soupy glop that ruined the grape’s reputation. Chardonnay fruit can get so over the top opulent with a lot of sun that it takes a deft hand to reign it in. Extensive lees stirring and maturation in new oak barrels coupled with malo-lactic fermentation was the death knoll for the grape in California. Luckily, these techniques can be used with far more restraint and in better climatic conditions.

So enough of California as it is, rather, the sunny clime of Sicily that is home to this Chardonnay, from the Island’s most famous producer, Planeta. Planeta made its reputation with this wine and it is easy to understand why. While opulent and intensely fruity, there is yet acidity and balance here that most in California can’t seem to produce. This is a far cry from even Cote d’or, however, and may be too intense for some (though I’d call this refreshing despite its hedonism). I’d also say there isn’t much terroir here, though I do think the soils climatic conditions are what made this wine successful even if they don’t shine through in an obvious way.

There is a place for hedonistic fruit at times, and when done well these wines do play a part in the wine pantheon. Sometimes you just want to eat seafood cooked in butter and lemon, and this wine would be a great match with that or anything well endowed with dairy fat. It has the acidity to keep things interesting and prevent them from getting too rich – but it needs a rich dish to match its intensity. So yes, molten sunshine, done right.

Very Good+
$47 at BCLDB

Spotlight on New Zealand: Man O War Dreadnought Syrah 2008

Man O War arose from an atypical story. A family (whose names remain mysteriously absent on the winery website), intent on saving and preserving a portion of Wieke Island in New Zealand, purchased 4500 acres of land on the eastern end of the island. It was this parcel of land that was first discovered by both Polynesian explorers 700 years ago and, many years subsequently, by Captain James Cook on his famous voyage. The Royal Navy eventually used the indigenous trees to build masts for their ships, which ultimately gave the area its name.

Extreme Individuation Within Vastness

Waieke Island is off the coast of Aukland in northern New Zealand. Aukland is generally not known for producing high quality wines from local grapes, but wineries such as Man O War are prompting many to revisit the possibilities of the region.

The vineyards in this remarkable 150 acre slice of the 4500 acre property are comprised of over 90 individual hillside blocks. The soils are volcanic and clay loam, and the site placement, particularly for the reds, is fairly dramatic, with vines reaching down very steep clay hillsides that shelter the vines from the area’s strong winds.

Poetic Potency

Syrah, like Pinot Noir, has a precipitous ability to reflect the site and climate where it is grown. It is far more transparent than Cabernet Sauvignon, even though so much new world Syrah has been shamelessly manipulated into over extracted fruit bombs, often with astringent alcohol levels.

How pleasant it is, then, that this Syrah gains its pleasure and personality because it embraces its transparency rather than puffing itself up into a distorted steroidal form. It is also this careful and respectful approach to the grape that gives this wine a unique sense of place unlike anywhere else in the world.

The aromas begin spicy, richly adorned with meat, white pepper and cloves. This particularly unique dried clove character becomes part of the wine’s signature when you eventually take a sip. A delicious Syrah with a balance of acidity, density, aromatic complexity and length that comes from letting things be rather than extraction and power. Ironically, this wine is far more potent than any of those monster Syrah/Shiraz potions that unfortunately dominate critical interest in North America. But its potency is deeper and more understated – something you might drink when reading James Baldwin. Brooding but beautiful. Uniquely New Zealand and undeniably more exciting than any of the Pinot Noir’s I’ve tasted thus far.

Excellent
$50 at BCLDB (from the VIPWF)

Spotlight on New Zealand: Amisfield Pinot Noir 2007

The Central Otago has become the place to watch for exciting cool climate Pinot Noir in New Zealand. Several producers have begun producing softer, more elegant and more balanced Pinots. This, however, is a wine that bucks the trend in the Otago.

Atmosphere as Terroir

Since 1997 the number of wine producers has increased sixfold and plantings have more than quintupled. This rapid growth has coincided with an increase in both quality and diversity. Pictures of the Central Otago are some of the most stunning of any wine region in the entire world, which to me makes it all the more interesting that one of the peculiar characteristics of this ‘terroir’ is that it is one of the few wine regions in the world over which there is a considerable hole in the Ozone layer – showing that atmosphere is just as much part of the spirit of place as is the soil. This increased exposure to ozone radiation results in higher ripeness than one might expect. The cool nights of this most southerly wine region in the world keep acidities higher than further north in New Zealand.

Some Winery Background

Established in 1999, Amisfield is one of the early wineries in Central Otago. Situated on glacial soils, this vineyards are also all high altitude. All the grapes here are hand harvested, whole bunch pressed and partial whole bunch fermented. The addition of the stems to fermentation adds a spicyness and intensity that many particularly enjoy in their Pinot. Others are not quite so sure. Personally I enjoy the many approaches to Pinot but do appreciate the flavour density that whole cluster fermentation can bring. I appreciate that Amisfield has a serious commitment to biodiversity and creating a living vineyard, which you can read about on their website if you so desire. But let’s get to what we’re here for: the wine.

Bold but Lacking Balance

This is a bold and expressive Pinot that is quite rich. The heavily fruited wine is cherry, raspberry, cola, chocolate and some subtler oak flavours.  With a broad palate that is very flavourful and moderately complex, I think this will likely improve a little with some age, but is delicious now. This is a fruit driven Pinot, however, and it does not have the layering of the absolutely best Pinots in the world, perhaps because the alcohol is at 14%. The alcohol remains a touch out of balance – perhaps an effect of the vintage? Nonetheless, an good example of the Central Otago’s style even if a touch alcoholic.

Very Good+
$55 at Everything Wine, also available at Kits Wine

Martin Arndorfer die Leidenschaft Gruner Vetliner 2005

Arndorfer’s wines are the perfect catalyst for the oak debate in white wine, with its classic questions: Is oak makeup or does it add something to the right wines? If it does add something, what is the level of interference that is appropriate? Rather than directly answering these Arndorfer simply makes two lines of wines: the “Strass” line, made from grapes grown in a vineyard purchased in 2005 and vinified traditionally (mostly in steel, but with some shorter term barrique ageing), and the “die Leidenschaft” (or “passion”) line, in which Arndorfer explores his philosophy of sensitive use of oak to bring greatness and character to Austria’s traditional grapes.

Arndorfer is certainly young for a wine maker, being born in 1983 (yes that’s younger than me and probably most of my readers), but he seems to have absorbed a considerable amount of knowledge along with a sense of history and a vision for the future. This vision couples a respect for traditional methods of vinification along with a sense that a winemaker can coax a grape to its full expression with the assistance of fermentation in oak barriques. I’m not sure I agree that barriques are necessary to make Austrian wine great, but I do agree that they can add character and at least make some interesting wines when not overused.

Getting Beyond the Oak…?

My first impressions of this wine were, admittedly, obscured by my distraction from the intensity of the oak aromas in a wine I was expecting to be more classic. It turns out this was actually fermented in 100% barriques and had 10 months of elevage in oak. I think this may have ultimately muted the nose, which smells mostly of oak spice and subtle orchard fruits.

The palate again promulgated significant oak influence, but there was also white pepper, spice and an herbal finish. The wine’s acidity was far lower than I expected and the alcohol showed through in its lack of balance. I may have written this off as the result of youth, but the wine has been sitting in the bottle for 5 years already, and acidity does not diminish with age. The lack of acidity makes the wine feel wan and tired; luckily the flavour profile is interesting enough to make this tasty juice that works with the right kind of food. Nonetheless, if you don’t like an oaked style of Gruner, this will probably not be your bag.

Very Good
~$40 at Kits Wine Cellar

Champagne Day: Pierre Peters Cuvee Reserve Grand Cru

One of the biggest slaps in the face when it comes to cross border wine pricing is the simple reality that you can buy outstanding Champagne in the United States for $40-$60, which brings it down out of the super-luxury category and makes it possible to explore one of the world’s greatest wine regions. The abundance of grower champagne makes this journey even more exciting. Today’s Pierre Peters, which I picked up down in Portland, is one of the best growers for blanc de blancs Champagne.

The Chalky Vineyards of the Cote de Blancs

Peters makes this Champagne from a blend of several Grand Cru vineyards in the Cotes de Blancs, including Oger, Avize, Cramant, and the famous Le Mesnil Sur Oger. While all of these sites offer impressive quality fruit grown in the famous chalk based soils that provide both superb drainage and humidity that allow high quality grapes to grow in such a northerly region, it is Le Mesnil Sur Oger that steals the spotlight.

Les Mesnils sur Oger sits south of the village of Epernay and is one of the greatest Crus in the Cotes de Blancs (and home to Krug’s famous “Clos de Mesnil”). The vineyards here face south to southeast and tend to be located mid-slope, which guarantees good sun exposure, similar to what you’d find in the Cote d’Or. While some fruit from this Cru makes it into the Cuvee Reserve, it is Pierre Peters single vineyard and vintage designated “les Chetillons” Champagne that highlights this special terroir to its fullest. Of course, it is also extremely rare and costs twice as much as this wine!

One of Champagne’s Oldest Growers

Pierre Peters (formerly Camille Peters) was one of the first growers in Champagne to start bottling and selling wine under its own label, with its first vintage being far back in 1919. By 1944 Camille’s son Pierre had taken over and renamed the domaine, which has since increased production by increasing holdings and increased focus on foreign markets, which now comprise 65% of total sales by volume. The Domaine has maintained, and perhaps even improved, quality throughout this period of growth, which improves size is not always inversely correlated with quality.

Rich Precision

Made up mostly of wine from the 2007 vintage, this is in fact a blend of 15 different vintages in the classic blending style of Champagne. The nose is exceptionally vivacious and precise, with intense and refreshing minerality dominating the aromas. What makes this Champagne so special, however, is its impressive development across the palate, which proceeds like an inverted hourglass: a precise and focused entry leading into a round, silky and powerful mid palate that allows richer fruit flavours to come through and then ending on a clean, direct and extremely minerally finish as the wine drifts off with incredible focus. As for flavour, I noticed green apple, an almost in-your-face chalky minerality, and stone-laced lemon.

This is palate whetting stuff, goes down way too easily and is the perfect match for tempura, katsu and other fried Japanese foods or anything with sufficient richness to balance out the wine’s acidity.  This Champagne is quite an outstanding effort and made with very high quality and ripe fruit, which is particularly impressive for an entry level cuvee. This is amongst my favourite styles of Champagne and I highly recommend buying some if you see it.

Excellent
$50 at Vinopolis Portland

Spotlight on Alsace: Barmes-Beucher Hengst Grand Cru Riesling 2005

This is the final post in my Alsace series, ending on a contrast to yesterday’s exceptional offering from Zind-Humbrecht. For a wine made in the same soils as Zind-Humbrecht’s Clos Hauserer, Barmes-Beucher’s Hengst Riesling is of a completely different ilk. While the wine is minerally, it lacks acidity and doesn’t have the same level of balance as the ZH. This is strange given that the Barmes wine is far more restrained overall compared to the Clos Hauserer – but it goes to show that balance more than alcohol and ripeness is the key factor to great wine.

This comparison is all the more stark considering that both wines are from the same vintage. The flavours are similar to the ZH, with classic slight petrol and quinice, lime, minerals. However, the contrast comes, despite the decent aromatic expression, from a lack of lift and freshness. The palate is strange, perhaps flawed in some way and the flavours are extremely interesting, but the wine seems to be somewhat all over the place. It lacks real balance and finesse even as it offers an interesting flavour profile. The wine is quite minerally, almost chalky, with background lime and grapefruit. It’s tasty but I’m not sure it quite hits the mark at this price point.

$60 at Marquis
Very Good

Concluding Thoughts

Alsace has proven to be the source of many extremely tasty white wines, but consumers will be hard pressed to know what they are buying without learning about the style of individual producers. Wines range from steely dry to opulent and sweet and given the completely different expressions of competing producers making wine from the same vineyards it may be true that Alsace is currently as much style as it is terroir. Time may start to differentiate the terroirs more distinctly, but it seems to me that the stamp of a particular winemaker supersedes the soil. Nonetheless, it is clear that the best wines tend to be made in the Grand Crus, with some (good value) exceptions, and that the best grape is Riesling. There are a few interesting Pinot Gris also being made, but even in Alsace Gewurztraminer has a hard time becoming more than its goopy low acidity self. Even the G-wines of the best producers, which are undoubtedly good, do not measure up to those same producers’ Rieslings.

Alsace should be on the radar for most wine geeks as its wines fill a niche that very few others do. With the right pairing, these beauties can bring life and joy to simple moments, and that’s what great wine is all about.

Spotlight on Alsace: Albert Mann Rosenberg Riesling 2008

This is my kind of riesling. It seems that superb fruit isn’t limited to the Grand Crus. That, of course, also means that this Rosenberg riesling is a very good price. So far the Albert Mann wines have been a bit inconsistent in quality, more based on their balance than on the quality of fruit, but this riesling stands out not only as very well balanced and tasty, but also adept at pairing very well with a wide variety of foods. I paired it very successfully with brie, crab and asparagus stuffed coho salmon along with honey and mint glazed baby potatoes.

Rosenberg is a young vineyard, with less pedigree than the greatest sites, which tend to be Grand Crus. Nonetheless, it seems to offer tremendous potential, giving wines of sweet fruit and clean minerality. The wines tend to have a small amount of residual sugar, which is definitely present in this still fairly dry riesling. I personally find this balances the wine much better than some of Mann’s other rieslings.

I’ll conclude this short note by saying this is a very accessible wine that would be a great introduction to high quality Alsatian wine. I highly recommend it to both Alsace lovers and those looking to begin exploring what the region has to offer.

Excellent
$45 at Marquis Wine Cellars

Spotlight on Alsace: Marc Tempe Rodelsberg 2005

There is an irony to be found in Alsace in the wines of Marc Tempe. Tempe has signed on fully to Nicolas Joly’s Rennaissance des Appellations group that supports an intense kind of biodynamics with a high level of commitment. The irony comes with the similarity of Tempe’s wines to those of Marcel Deiss, which seem the closest in Alsace in spirit, if not in stated philosophy. Deiss, remember, has famously declared that he detests Nicolas Joly for his dogmatic adherence to biodynamics. Detestation and degustation are closely related it seems.

Blended Goodness

Tempe is a fan of blending, like Deiss, and this particular wine blends 25% Pinot Gris in with 75% Gewurztraminer. Tempe also ferments his wines in oak, on the lees of indigenous yeasts and without sulpher. The result here is both extremely impressive and extremely interesting.

The nose has a nice rich richness with flowers and rich tropical fruit, undoubtedly from the Gewurztraminer – but it also isn’t oppressive in its opulence like 100% Gewurztraminer can be. The palate presents banana and pineapple, is very juicy and exceptionally balanced. The wine finishes dry and extremely delicious with a bit of chalky minerality that rounds it out well.

This unique blended wine is better than most Gewrztraminer and Pinot Gris as you find them on their own in Alsace as it draws very well from the strengths of both grapes while minimizing their weaknesses. Tempe is a great winemaker doing untraditional things. If you like a lot of character in your wines but prefer them on the drier side then tempe may be for you. It helps that Tempe seems surprisingly atempo with Deiss, who should theoretically be his arch enemy.

Excellent
$55 at Everything Wine

La Spinetta Il Colorino Di Casanova 2006

Despite their obscurity, unknown grapes abound in a world dominated by the likes of Cabernet Sauvignon and Chardonnay. These grapes often produce nothing more than simple one-dimensional wines; and yet, indigenous grapes are in such abundance that they are bound to be made into good wines now and again. These sorts of grapes can be divided into two categories: those which have the potential to compete with the ‘noble’ grapes and for one reason or another have remained in obscurity, and those which rarely produce interesting wines, but which the best producers can make into something exciting. La Spinetta’s 100% Colorino from Tuscany fits into the latter camp.

Blending or Drinking?

Colorino is traditionally a blending grape in Tuscany, often used to add colour and tannin to Sangiovese. It has been criticized as being overly astringent and even bitter when made into 100% varietal wine. However, La Spinetta believes that the reason most Colorino is unimpressive comes down to the fact that it usually grows amongst and is picked with the Sangiovese grapes with which it is blended, which ripens considerably earlier. If you pick Colorino too early it is green and bitter. If you let it hang on the vine for the right amount of time, it becomes brooding and complex. If anyone in Italy can rediscover an obscure blending variety it is La Spinetta, one of Italy’s more exciting producers.

Ugly Duckling or Swan?

I often like to write about soils and terroir, but today I will focus on what is unique about this grape and this wine. The nose on this is rich and spicy with plums, dark chocolate and a fascinating Indian spice intensity. What a unique wine – tannic, bold, very deep and dark fruit with plums, blackberry and a ton of spices. The wine is quite broad and yet has a well drawn and precise finish. I enjoyed it considerably with a spicy sausage pizza, which mellowed the tannins and brought out the fruit.

I wouldn’t say everyone should start making wines based on this variety, but La Spinetta has achieved an impressive wine from this ugly duckling blending grape. Only a great winery could find such tremendous character in a grape so difficult to make appealing on its own. I would recommend this for both jaded palates and Italophiles as it combines a really unique flavour profile with the classic Italianite qualities of fresh fruit and bright acidity that go so well with food.

Very Good+
$43 at Kits Wine