A Trio of Wacky Southern Italians: Terre del Principe

Terre del Principe is located in Campania in southern Italy. This winery is making wines from the extremely obscure indigenous grapes Casavecchia and Pallagrello Nero. In fact, founders Peppe Mancini and Manuela Piancastelli were responsible for reviving the grapes and fought with the Italian regulators for the right to put the grape names on their labels. Neither of these grapes has an entry in Oz Clarke’s Grapes and Wines nor in the Oxford Companion to Wine.

This fact is not surprising given how little about these grapes is known. In the case of Casavecchia, all that is known is that all current vines are cuttings of the original, which was discovered near an ancient roman house that gave it its name. As Terre del Principe describes: “found inside the remains of a sort of walled garden near the ancient via Latina which connected Capua and Alife, that plant, with a trunk 40 centimetres across, would give birth to all the others.” Not much else is known. It is planted in the older vineyards.

More is known about Pellagrello Rosso – but not much. It is a late ripening variety (October-November) with thick skins that protect its tightly packed bunches from rot.

Both of these grapes are extremely interesting, and carry fascinating bitter leaf and bitter nut characteristics along with a dense core of rich fruit and lively acidity that make them both highly enjoyable and fascinating for the jaded wine-geek palate. From what I can tell the wines see a combination of traditional techniques like very long maceration with modern ones like barrique ageing (though I think at 8-12 months this is not excessive – and it does not interfere with the uniqueness of the grapes). These are food wines, though, and do best matched with tomato sauces, grilled sausages and roasts.

Centomoggia Casavecchia 2008: My favourite wine of the three, it was the prettiest and best balanced and a less of the intense bitterness found in Pallagrello Nero. Nonetheless, it had an extremely peculiar bouquet, but was also very easy to drink and full of fruit and life. Excellent. ~$45 at Kits Wine.

Ambruco Pallagrello Nero 2008: My least favourite of the three, the funky

bitterness came out a bit too much in this wine for me, though food mellowed out this characteristic. It may also be a personal preference issue since this wine was also quite fruity and accessible. Nonetheless I think it has less elegance than the pure Casavecchia. Very Good. ~$45 at Kits Wine.

Castello delle Femmine Pallagrello Nero & Casavecchia 2008: A highly interesting wine that seems to balance the intense funky nut bitterness and iodine of Palagrello Nero with the florals and elegance of the Casavecchia. Both fruitily delicious and very interesting to drink. This is an unusual and delicious companion for red meat or tomato pastas. Very Good+ ~$45 at Kits Wine.

If you’re looking for a cool alternate summer BBQ wine to match all that grilled fatty meat, any of these trio will fit the bill very well and will probably excite quite a few, even those with less wine experience. These wines are highly recommended if you’re looking for something unusual.

Nusserhof Elda Vino Rosso L09

The Nusserhof Domain is a product uniquely suited to those seeking quirky, geeky, naturalist wines made without flaws. The wines of Heinrich Mayr (owner and winemaker) are for lovers of pretty, quaffable wines with character and food-friendly acid.

Naturalist Wine by the Highway

Nusserhof is located in northeast Italy near the town of Bolzano. While the estate has existed since pre-world war 2, when Bolzano was a quaint town, now the vines are surrounded by industrial and commercial development, with the Elda vineyard sitting adjacent to a major regional highway. Given these stark contrasts, it is remarkable that Nusserhof has survived, making geeky naturalist wines from indigenous varieties.

Autochthonous Vines

I first tasted Nusserhof at San Francisco’s Terroir, which was pouring the Tyreldego (an intentional typo in order to avoid DOC rules) by the glass. The Elda Vino Rosso was my second kick at the Nusserhof can and I was equally impressed.

The wine is made with the indigenous Schiava grape and grown on porphyry and sand. The vines are farmed organically and then slowly and gently pressed and fermented in large oak casks. While there is no official vintage designation, the lot number (9) indicates this wine is from the 2009 vintage.

The wine itself tastes a lot like Pinot Noir from a warmer vintage or climate, with interesting creamy strawberry, earth and fresh berry fruit. This is a silky, medium bodied wine that is immediately loveable and delicious but is also serious enough to warrant thoughtful consideration. Drinking perfectly right now.

For more information, see the excellent post (with great pictures to give context) in the Dressner Blog.

Excellent
$35 at Arlequin in SF

Spotlight on Riesling: Rippon Riesling 2008

It would be easy to focus this entire spotlight on the Germans, given the sheer diversity, quantity and quality of Riesling from that land. However, Riesling has also made some strides in other parts of the world, and while I will no doubt return to Germany and move into Austria for this profile, I thought it would be interesting to provide a Riesling contrast by going to New Zealand.

New Zealand does not have much of a reputation for Riesling, if any. However, if anyone has the ability to change those preconceptions it is Rippon, a biodynamic producer in Central Otago who make some of the more exciting wines coming out of New Zealand.

This is not your steely electric acid and fully dry style that many have come to expect from Australia. Several wineries in New Zealand are taking a different tack, instead looking for a bit more elegance and a lighter texture supported by some residual sugar. This is just such a wine.

Very slightly off-dry, this wine is lime candy – very fresh and sparkly like German Riesling, but with more weight. A wonderful wine with a high level of extract but also with structured balance. The greater fruitiness and richness of this wine makes it ideal for richer seafoods. I had it with seared scallops with a butternut squash puree – a perfect match.

Excellent
$48 at Kits Wine

Spotlight on Riesling: Donnhoff Norheimer Dellchen Grosses Gewachs Riesling Trocken 2006

One of Riesling’s great qualities is the ease with which it is consumed. But what makes Riesling one of the greatest grapes in the world is its astounding ability, particularly in Germany, to combine delicacy with immense complexity. Donnhoff is one of my favourite German wine makers and is definitely amongst the top tier that we tend to see here in North America. Unlike the previous two wineries in this profile, however, Donnhoff hails from the Nahe region in Germany.

Nahe

The Nahe river, which feeds into the Rhine, is situated south of the famous Mosel. Its vineyards did not gain the fame of its neighbours until quite recently (by European standards) in the late 20th century. Nonetheless, there are not many producers here and some top vineyard land has been left fallow for want of vintners.

Donnhoff is the grand-daddy of the Nahe, producing its most famous wines and doing so on par with Germany’s top estates from the Mosel, Rheingau and Rheinhessen. The best vineyards in the Nahe are home to some of the most complex geology in these parts. The soils here include sandstone, porphyry, melaphyr and slate. This geological diversity seems to shine through obviously in the wines, with their intense minerality that varies distinctly from site to site.

Donnhoff makes wines mostly from the middle part of the Nahe, between Monzigen and Bad Munster am Stein. This sub-region is home to the majority of the Nahe’s most famous vineyards, such as Brucke, Felsenberg, Kupfergrube, Hermannshole and Dellchen, the vineyard where the grapes used in this wine were grown.

What is Grosses Gewachs?

While I’m on a Germany kick with this Riesling spotlight, why not delve a bit into the crazy world of German wine labelling.

It is only recently in 2002 that the German VDP has decided to create a system of German Grosses Gewachs (‘Grand Cru’) vineyards (indicated on the bottle by a little “1” with a bunch of grapes next to it). This thrust to create Grand Cru sites has, predictably, led to much controversy. These sites are supposed to have demonstrated their historical superiority. All such wines must be at Spatlese ripeness or higher, and yet they are required to be as dry or drier than the ‘trocken’ level unless they are labelled as Auslese, in which case they may be sweet. This is, of course, ridiculous and does not help the consumer, who will likely have a hard time distinguishing the differences based solely on the label.

However, I do find the “1” label on the bottle to be helpful and distinctive, and in my experience when you reach for a Grosses Gewachs from a good producer you are going to get something special – though it may not be comparatively good value to lesser known producers still making wine from excellent sites.

Donnhoff Lives!

Describing flavours is not only boring, but also completely useless when talking about a wine like this. The Grosses Gewachs wines from Donnhoff are as lost remnants of myth – the tears of some old Germanic god that solidified in the slate and iron soils of Germany’s Rhine valley. This wine, like the other Donnhoff GG’s, spars with the greatest wines in the world – the layering of aroma and flavour is amongst the deepest and most sustained of any wine I’ve been fortunate to taste. That these flavours seek you out rather than wait for your limited pondering is both overwhelming and epiphanic. How a wine can be so comfortable in its own skin, demanding both attention and humility, is one of the vine’s great miracles. Thank god we discovered fermentation.

A fraction of the price of great Burgundy, but every bit as long lived, complex and magical.

Excellent+
~$100 at Kits Wine Cellar

Spotlight on Riesling: Willi Schaefer Graacher Himmelreich Riesling Kabinett 2008

Germany is the heartland of Riesling. In particular, the Mosel is the most significant region and the vineyards of the Mittel Mosel comprise the largest stretch of great Riesling vineyards in the world.

What makes Germany and the Mosel symbiotic with Riesling, just as Burgundy is with Pinot Noir? The river itself is fairly large and moderates the temperature while reflecting light and heat – an important detail in these northerly vineyards. The famed Mosel slate is special not just for its tendency to produce complex mineral flavours but also for its ability to retain heat, which protects the vines and assists in balancing the metabolic rate of the grapes during cold spells and at night. The famous steepness of the vineyards provides more light and warmth and combines with all of the above elements to make the Mittel Mosel vineyards some of the very best Riesling vineyards in the world.

The Mittel Mosel’s Cult Estate

Willi Schaefer is one of the most exciting estates in the Mosel. Even amongst the host of excellent producers, Schaefer stands out as making wines unlike anyone else and with an easy compellability that can sometimes get lost in Riesling’s high acid or some of the more heavily extracted ripe Auslese styles adorned by many U.S. critics.

Schaefer is doing his own thing and making precious wines with perfect clarity and precision. Geeks have caught on, however, and it can be quite hard to find these wines. This particular Kabinett, grown in the Himmelreich vineyard, was extremely expressive and full of slatey minerals and pert citrus fruit.

A poised wine with incredible structure that is both long and immensely complex. I adore wines like this – the tart compellability you expect from great Riesling with aromatics and acid balance that create an insatiable need to drink. Despite all this complexity, this wine is far too easy to drink quickly and mindlessly, particularly given its 7.5% ABV. That would be a shame, and some restraint is advised.

Basically, this is perfect Riesling and it is a travesty we do not get wines this good in B.C. at the reasonable price I paid.

Excellent and Highly Recommended Value
$27 at Pike & Western Seattle

Spotlight on Riesling: Karthauserhoff Eitelsbacher Karthauserhoffberg Riesling Auslese 2007

After all my voyages through tastings wines from obscure varieties and small regions across Europe and elsewhere, I find my love for white wine can be expressed as a simple binary choice: Chardonnay or Riesling. The beauty and variation of both of these grapes captures almost all that is joyful about white wine. Both grapes have a profound range of flavours, but Riesling’s uniqueness lies in its singular ability to combine ethereal gossamer texture (and low alcohol) with extremely powerful and lengthy flavours that both evolve considerably over an evening and over decades in the bottle.

Riesling also has the greatest structure of any wine, but that structure can vary with the site and the climate. Wines from the Mosel, for example, can fairly be described as gothic. In Alsace, on the other hand, it is fair to compare the wines with Renaissance architecture: a perspectival complexity in which each sip in each moment provides its own inspiring but uniquely situated illusion of the whole.

The old 1960′s archetype of Riesling is, of course, the insipid Blue Nun and Black Tower and it is amazing to think that North Americans were first introduced to Riesling through these sweetened monstrosities. Perhaps this provides an explanation why Riesling still suffers from low sales volumes despite the fact that it competes with Chardonnay for the greatest white grape in the world.

If I trace my own path into Riesling appreciation we would begin with Sushi. Vancouver is the perfect place to drink Riesling, though almost no one realizes this. Our plethora of quality Japanese food, Vietnamese, Chinese and general love of an proximity to seafood and fish means that we should be drinking Riesling far more often. My first experience with truly understanding riesling was when I paired a dry Australian riesling from Great Southern with classic maki rolls from a favourite sushi joint. The cleanliness and linearity of the wine paired perfectly with the fatty richness of the sushi fish but also the subtlety of the rice (much like a very dry Sapporo, but with far greater complexity). It was in this moment that I realized Riesling was an extremely underappreciated grape.

Deciphering the Genius of Germany

I’ve been reluctant to begin this spotlight simply because Riesling, while being truly amazing, is also an incredibly complex grape with a long history and a varied and hard to understand relationship with soil, site, aspect and climate. So perhaps it is fitting that I begin with a German Riesling from the German Ruwer region in the Mosel valley, and from one of my favourite producers: Karthauserhoff.

This is a wine that belies the unfairly maligned Auslese category of wines. It is not a “sweet” wine, even though it carries considerable residual sugar compared to other whites. Therein lies the trick of Riesling. More than any other grape, Riesling is a vehicle for acid. In fact, it is such a perfect vehicle for acid that it can have difficulty managing it, as with the 2010 vintage in the Mosel where vintners sometimes needed to deacidulate their wines to make them drinkable.

Thus, when you drink a truly great Auslese riesling, your mind does not immediately turn to ‘sweetness’ but rather to length and complexity. And, with time, a truly great Auslese Riesling produces secondary waxy, honeyed and mineral flavours that are unlike any other wine in the world.

This wine was only at the beginning of its development, but it showed extremely well. Karthauserhoff dates from the 14th century. In classic style, the winery started with monks and then was auctioned off after Napoleon conquered that part of Prussia. It has then since passed from one family to another in a classically European manner. In the 1980′s all of the various vineyard holdings were consolidated into one giant vineyard called Karthauserhoffberg, which makes this winery one of the easier to understand in the Mosel – Saar – Ruwer region, at least in respect to vineyard. Of course, this would not be a German enterprise if everything was easy. Karthauserhoff makes dozens of wines, some are even bottles from individual foudre, and labeled as such, making the whole endeavour of understanding much of anything a complete fiasco.

In the end, all that really matters is that this is a stunning example of Auselse Riesling from Ruwer and a beautifully persistent wine that pairs with everything that makes B.C. what it is (along with a few East Indian dishes). I can’t recommend it more highly.

Excellent to Excellent+
$65 at Liberty Wines

Copain Eaglepoint Ranch Syrah 2006

California Syrah is in a bad way. Sales are decreasing and plantings are being ripped out and replaced with vines like the ever popular Pinot Noir. Some of this unpopularity is justified when you look at bad over-extracted examples. However, when Syrah is planted in cooler sites in California, it can make absolutely fantastic wine with a real sense of place and typicity. Copain is a producer that focuses on making these sorts of wines.

Europe in California

Copain is headed by Wells Guthrie who spent two years apprenticing to Michel Chapoutier in the Rhone Valley before starting his own winery in Sonoma. He is trying to make wine that implements many French traditions while being true to California fruit. Based on what I’ve tasted so far I think he’s managed to achieve this goal.

This wine is from the highly respected Eaglepoint Ranch vineyard in Mendocino County, which is north of San Francisco and near the Sonoma and Napa valleys. This vineyard provided Copain with the fruit for the 1999 Eaglepoint Ranch Syrah that launched their reputation. It is an interesting vineyard that supplies wine to lots of highly respected names, including Sean Thackrey. If you’re interested in learning more about the history and direction of Eaglepoint Ranch, check out this fantastic article from the San Francisco Chronicle.

The Wine

This is glorious California Syrah – rich but pure fruit, black cherries and black berry but also charcoal, game and violets. You won’t mistake this for Northern Rhone, but the wine is extremely well balanced and bears an easy deliciousness that makes it highly recommended for those seeking the middle ground between geeky contemplative stuff and pure sensuous enjoyment. I’ve heard a few other vineyard designated wines from Copain are in or will be in the market – so keep your eyes open.

Excellent
$90 at Kits Wine

Case Basse di Gianfranco Soldera Brunello di Montalcino 1998

Sometimes a wine can be so legendary that it’s reputation exceeds anything it can possibly muster in the glass. The famous DRC – a wine I have not yet been fortunate enough to try – comes to mind. These mythic figments float somewhere in the ether in the wine world, tasted only by a few though lauded by many.

However, wines like this have usually received their vaunted reputations because, at some point, they did something that no one else in the world had ever done. There is the one in a million terroir camp – as I’d classify the fortunate DRC. Then there is the mad genius camp – a place where winemakers like Atonio Gaja reside. Soldera, by most accounts the greatest wine in Tuscany, sits somewhere in the middle.

Greatness in the Vineyard

Gianfranco and Graziella Soldera discovered the Case Basse site in the 1970’s when it was used only by sharecroppers. Since then Soldera has been highly cognizant of the vineyard’s eco-system, spending considerable time tending and fostering a large and diverse ecosystem. But this is no quaint low-tech operations. In fact, several universities actively study and participate in the winemaking at Soldera, researching things like microflora, water stress, and vine diseases.

The small vineyards are managed quite traditionally with vines being pruned short in the winter and a green pruning in the growing season. The winery implements grape thinning and leaf stripping in the fall. Soldera uses all organic fertilization techniques and no chemicals. Of course, the vines are hand harvested.

As with most of the best producers, Gianfranco Soldera has an intense belief in farming over ‘winemaking’. He says:

“Right from the moment the vegetation starts growing again, vineyard management needs the daily presence of the vine grower (I think it is wrong to use the term worker which is typically used for industry; the vine grower knows the land, the plants and the essences) in the vineyard. I would also like to point out that at least 85% of the time necessary for running a wine estate is dedicated to the vineyard, the cellar needing only 15%. It should be explained to young people, who always ask to work in the cellar, that there is no occupational or economic future to be found in the cellar, whereas there will always be a demand for vine growers who know how to take care of the vineyards.”

Greatness In the Cellar

Winemaking is highly traditional at Soldera – natural yeast fermentations, no temperature control and ageing all in large Slavonian oak. Gianfranco believes that the microbial process that takes place during winemaking must be carefully monitored. He believes it is generally not understood well by many producers, but that the biodiversity within indigenous yeasts and microbes are essential to making great wine. Without understanding how they work, however, it is all too easy to make mediocre wine:

“Wines produced with spontaneous fermentation have more complexity of aroma and taste compared to wines made with induced fermentation. Sometimes they are judged as “great”, full of character and personality, “unique” in their type. It is easy, at this point, to attribute the origin of more complexity to the action in conjunction and/or progression with yeasts that are different in terms of species and, within the same species, in terms of breed. With regard to this, a study carried out by myself on the intraspecific genetic variability of Saccharomyces cerevisiae (145 have been isolated from spontaneous fermentation of grape musts from a single vineyard and studied during six consecutive harvests, from 1994 to 1999) has highlighted a striking biodiversity, relative to every single year as well as between different years: from the 145 isolated yeasts examined in all, 50 different profiles of mitochondrial DNA restriction were obtained, 50 breeds out of 145 isolated yeasts!

Next to the possibility of adding to products of particular “greatness”, spontaneous fermentation, because of its intrinsic unpredictability for giving results, may also give rise to products of modest quality. From personal experience, however, these cases are very often ascribable to unhealthy grapes and/or a lack of care in operations in the cellar. In any case, analytical methods available today allow us to monitor the microbiological course of spontaneous wine fermentation in almost real time, making any corrective intervention possible. Unfortunately, only few producers, aware of the importance of microbic ecology of natural vinification, are open and willing to investigation of this kind, so that only a few, in fact very few, are able to know the real story of their product and treasure it.”

The Greatness of Wine

What to say of the wine itself? It is completely harmonious, balanced, elegant, transparent, fruity and youthful after 14 years in the bottle. But how to compare this to all the other good wines out there, and how to understand this wine as legendary rather than merely very very good?

Gianfranco Soldera offers a set of criteria by which to judge wine as great. It must have the following qualities:

harmonious = balanced = well-proportioned (if a product is ill-proportioned it can’t stand the test of time )

elegant = fine

complex = with multiple aroma, flavour and pleasure sensations

natural = healthy, ripe grapes with only the transformation of sugars into alcohol and other substances, thanks to natural indigenous microorganisms

healthy (for both body and mind) = you want to drink that wine again; it gives you a sense of well-being; satisfaction; communion; friendship

a- typical: the possibility to recognize in a wine the microterritory (vineyard) it comes from.

b- unique: a great wine is irreplaceable because it has unique characteristics, because it cannot be replaced, because if another producer made a similar wine, he would certainly keep it and sell it bottled under his own brand name.

c- rare: a great wine is at the top of a pyramid of about 30 billion bottles a year; how many can get to the top? In my experience about 50-60,000 bottles a year.

d- long lived: a great wine must improve for many years and give different sensations through time. Wine is the only natural product made by man that can outlive man.

Wine is only subjectivity; the same bottle can be worth 2,000 euros for one person and less than 50 cents for another.

You may disagree with his perspective, but I think there is a lot of validity to most of his points. I think that the Soldera Brunello matches each and every one of them, and perhaps that is its greatest achievement: realizing an ideal and ambition set by Gianfranco himself.

Excellent+
$250-$350 in the USA

Psi Ribero del Duero 2009

The story behind this wine is exceptional. Peter Sissek of Pingus fame and an absolute standard bearer for Ribera del Duero, realized that many fantastic sites in the region were languishing due to lack of tools and resources. In addition, small growers have traditionally been paid for the quantity of grapes they produce rather than the quality. At the same time, much of the land is home to some serious old vine material but most growers were unwilling to sell for reasons of attachment and tradition. Enter Peter’s ingenious idea to create a cooperative project that would provide incentives for quality grapes and high quality farming practices.

Working with Pablo Rubio, winemaker for Alonso y Yerro, since 2006 Peter identified the sites and farmers with the greatest potential and the best materials. The idea is to assist these growers with all the accumulated knowledge of Rubio and Sissek and to push them towards ever greater quality. These two also provide biodynamic preparations and farming techniques. As the quality improves, the growers are rewarded with higher payments for their fruit.

This passage from Rare Wine Company’s blog, gets to the heart of the matter:

The idea of “haves” and “have nots” is nothing new for Ribera del Duero. Until Pesquera’s Alejandro Fernandez made his breakthrough in the 1970s, Ribera had only one world-class wine producer, Vega Sicilia. Fernandez’s success sent the message that greatness was within the growers’ grasp, but it didn’t necessarily show them how to achieve it.

With Ψ : Psi, Peter hopes to give growers the tools with which to have better vineyards and make better wine. But the idea of the wine is just as interesting: to find the soul of Ribera del Duero by using techniques—including long, gentle macerations and virtually no new wood—that will maximize transparency.

Tasty Wine Approaching Distinction

The wine sees long macerations and almost no new oak, focusing instead on a mix of cement and large and small oak casks. This is a pretty exciting wine given the youth of the project. A powerful cherry and berry nose gives way to lots of minerality and brambly fruit on the palate. This is a very well balanced wine that has Sissek’s stamp all over it and yet shows a transparency of flavour that is extremely impressive given that this is only the third vintage of Psi.

It is my kind of wine – concentrated fruit, lift, and easy drinkability. This is also starting to become distinguished and will age well in the medium term. I’m very excited for the future vintages of this wine and I think Peter is moving towards his goal of finding the soul of Ribera del Duero.

Excellent
$65 at Kits Wine

Domaine Vincent Paris Saint Joseph 2009

A return to the source. It was the wines of the Northern Rhone that first entranced me when I was beginning to take wine more seriously. These wines continue to excite this jaded palate and you’ll find me enjoying them more often than wines from most any other region.

Vincent Paris is a truly exceptional producer in the Northern Rhone. A bit of a darling of the wine geek camp in both the U.S. and here in Vancouver, Paris makes wine from vineyards that he inherited from his grandfather. The lucky history of family succession has given Paris access to vines that are up to 90 years old. While his top bottlings – the Cornas Granit 30 and 60 – are of a somewhat different level than this Saint Joseph, here you have an exceptional introduction to Paris’ style and a perfect wine for just drinking – no occasion required.

Made from 10 and 20 year old vines grown in granitic soils about 30km north of Cornas, and vinified 2/3 in barrel and 1/3 in tank, this 2009 presents silky, pure syrah fruit with classic smoky huskiness, but also exceptional restraint. In the heady 2009 vintage, this guy comes in at 12.5% ABV and is very well balanced.

In my mind, St. Joseph offers some of the best value wines in the Rhone Valley. In the last two decades this region has elevated its game considerably and now offers much greater consistency. When you choose the wines from top producers like Villard, Paris or Chave you get exceptional wines with terroir, distinction and total drinkability. These really are the Rhone’s underappreciated gems and Paris’ example is top notch.

Very Good+ to Excellent
~$40 at Kits Wine