The spotlight on Portuguese dry wine draws to a close with this white blend from Esporao. Esporao’s red and white reserva wines are good examples of how overly modern fruit driven methods can reduce interest in a wine. Over-oaking and attempts to mimick the new world style do not serve Portuguese wine well even as the indigenous grapes’ character manages to shine through the heavy-handed treatment in the cellar.
A blend of Antão Vaz, Arinto, and Roupeiro, this wine’s rich and buttery elements overwhelmed my palate somewhat, even as the wine offered interesting steely minerality, white flowers and kiwi fruit. This is a wine with good acid, but the oak is a bit intense for my liking. This works better if married with food to mellow it out, but the over the top richness kind of kills the wine even though there is something interesting going on with the fruit (making this far better than over-oaked chard). Overall the Esporao white reserva was not very drinkable for my palate.
A Portuguese Sum-Up
A sad note on which to end this spotlight, but also a confirmation of my discovery that Portugal’s dry wine scene is still evolving and finding its legs. There are truly great wines to be found here, but far too many are made in an international style, are slightly overdone or simply lack interest. This will change with time, particularly given some of the pioneering wines I have profiled in this spotlight. For now, Portugal is a country well worth exploring, but one should do so with the proper research and with a mind for experimentation. You will not always find what you like, but when you do the wine will be a unique expression of interesting grapes and a special terroir that is only beginning to emerge on the world scene.
Good+
$36 at Everything Wine





Sicily has been an important wine region for thousands of years. Much like Apulia, Sicily was a cultural cross-roads throughout most of European history, and has been controlled by the Greeks, the Romans the Byzantines, the Arabs, and the Catalans from Spain. And, amazingly, the land has been under vine throughout the majority of that history. Perhaps this is why Sicily is now Italy’s largest wine producing region.
The first nero d’avola I tried was the Donnafugata Sedara Nero d’Avola IGT 2007, a wine made in a pretty traditional style (even with obvious modern techniques and cleanliness) by one of Sicily’s oldest producers (going on 150 years). The nose is classic for this variety with meat, black pepper, char, and blackberry. The palate is bright and soft up front with blackberry and red plum. The mid-palate is pretty simple and serves up a peppery side of game. The finish is soft and short and the wine has a very soft and sweet tannin structure. This is a pretty simple wine – it’s not going to wow anyone. And there are certainly much better nero d’avolas around for a bit more money. However, this still beats out a lot of $20 wines for drinkability and overall quality and it is made well, with all the components in balance. Grab this for the traditional pairings of a red meat pasta, pizza or side of game and you will probably be very happy.
d’avola, is fermented in steel tanks and is aged for 12 months in 2-3 year old French oak. The vines for this nero d’avola are pretty low (although not miniscule) yielding, offering 8.5 tons per hectare.
Chile has been viewed as a ‘value’ region for some time now, but I wonder if they will ever find their terroir. Certainly they have the ability, but so many wines they make are generic products designed for boring palates. Montes has been producing wine in Chile for decades and is considered by many to be one of the top producers. I’ve had several of their wines before and been generally satisfied, although never blown away. The “Purple Angel” is Montes’ top Carmenere bottling, a grape that is genetically related to merlot, but as far as I know, is pre-phylloxera.
It’s somewhat ironic that this review finally made it up on the site one day after Vancouver’s first major rain storm of the fall/winter doldrums. So, if you’ll excuse my seasonal anachronism I’ll tell you that I was expecting a lot more from this wheat beer from New York.





