Azienda Agricola Cos Cerasuolo Di Vittoria Classico 2008

How exciting it is for a wine like this to be in British Columbia. Cos is not only an icon of the ‘natural wine’ movement, but it is an exceptional producer that is making some of the most exciting wines in Sicily.

Natural Wine or Just a Great Producer?

Natural wine has consistently been a galvanizing force for debate about the nature and purpose of wine. Commercial viability, faults, ideology, and ethics all come out to play when a natural wine hits the glass.

Often those in this debate can lose sight of a simple reality for all wine: it is producer more than philosophy or technique that makes great wine. Great grapes and terroir are also necessary, but it is the endless minute decisions made in the vineyard and the cellar that ultimately make a wine what it is. This means that in natural wine, just as with all wine, there will be those producers that make wines far and above what most others are doing. For me, Cos is one of those producers.

COS – So Hot Right Now

Founded in 1980 by three partners – Giambattista Cilia, Cirino Strano and Giusto Occhipinti, whose daughter has started her own much adored eponymous winery – COS set out to challenge what had become ‘conventional’ winemaking in Sicily’s only DO “Cerasuolo Di Vittoria” first by farming completely biodynamically, and second by steadily increasing the use of clay amphora for fermentation of their wines. The amphora fermented wines bear the name “Pithos”.

COS is located on the southeastern tip of Sicily and as such the climate is both hot and dry. Despite this, the wines bear a lightness and elegance that belies their origins in one of the hottest climates in Italy.

Perfect Italian Wine

Alas while we do not yet have access to the amphora fermented wines in the province, this wine, fermented completely in neutral concrete, is still an excellent introduction to the COS style and philosophy. Made from 18 year old Frappato and Nero D’Avola vines grown on limestone-silicaceous and clay soils, this wine is both enticingly aromatic and very fresh and juicy on the palate. Pretty red fruits and flowers flow easily from the glass, and it is this effortlessness that is the wine’s most striking quality.

This is also a wine with a substantial medium body that will balance kindly with a wide variety of food from cured meats to lightly spicy pastas and grilled meats. It also goes great with air, as my friend Sean is fond of saying. This is also the kind of wine I would lovingly buy by the case – so don’t go running out and snapping up the small allocation this province has!

Excellent and Highly Recommended Value
$35 at BCLDB

Spotlight on New Zealand: Kumeu River Village Chardonnay 2008

Chardonnay has crept up the New Zealand sales charts to enter the #2 position after Sauvignon Blanc. Despite this, most people haven’t tasted much Kiwi chard, let alone good Kiwi chard. I first tasted this at an industry tasting, then again at L’Abattoir and finally with my own bottle with food. Each time I tasted it I was impressed, despite this chard being made from fruit purchased from other Kumeu vineyards, a region northwest of Aukland with predominently clay soils over a sandstone base (the estate chards are at another level that I will hopefully discuss in a future post).

New Zealand’s Golden Coast

Kumeu uses only indigenous yeasts in their chardonnay, and generally combines a pure fruit driven approach with a deft use of Burgundian Cote d’Or techniques. There is serious history to this winery, which in a country like New Zealand, is one of the oldest, being founded in the 1940’s. It was not until the 1970’s that the winery planted international varieties like Chardonnay and until the 1980’s when it started bringing in techniques from Burgundy such as extended lees ageing.

Impressively Pure and Serious Chardonnay

This is a wine fermented both in French oak (1/3) and steel (2/3), which creates a compelling combination of pure chardonnay fruit and rich, voluptuous chardonnay as accented by oak. The nose offers pear lemon, a touch of oak and stoniness.

This wine is very impressive for this price. It is fairly round and rich but what keeps it tasty is that rather than becoming a goopy mess, it regains considerable focus on the finish and adds a nice line of minerality from the mid-palate onwards. It is not a profound wine, but it is a very good quality wine that will go with fish and seafood incredibly well and that would also make a great porch sipping wine if you feel like something with a hint of seriousness. I think this wine is of the same quality as good quality $35+ Chards from Macon.

Very Good and Highly Recommended Value
$26 at Kits Wine and Everything Wine

Conceito Vinho Branco 2008

Portugal is only starting to become known for its dry wines. The most recognizable of these are the dry reds from producers like Quinta do Crasto, which is certainly making some very good wines. The other producers we’ve seen in both Canada and the U.S. market have been variable in quality, ranging from low to mid range in price point. Many of these wines are over oaked or jammy and none too exciting.

After visiting Portugal last year (thanks Icelandic volcano) and tasting many of the country’s dry and fortified wines, I came to realize that a whole lot more is going on there than most in North America realize. The most exciting dry wines I tasted were made in a much more elegant and sophisticated style than what we tend to see over here, particularly the outstanding dry reds of Niepoort, which was perhaps the most exciting producer I encountered in my time in both Portugal and Spain (and one I really need to write about in more detail at some point).

I was also quite charmed by a number of the white wines I tasted in Portugal, from very well made and balanced Alvarinhos that shame the stuff we see here to more heady and sophisticated whites. However, it was not until I opened a bottle of the new producer Conceito’s white blend that I realized how high quality white wines from the Douro could be.

Rediscovering Terroir in the Douro

Conceito is Portuguese for concept, which is more than just clever marketing for a country that is mostly devoid of clever marketing. Conceito is a winery that wants to rediscover the concepts of the Douro valley by rediscovering its various terroirs and challenging the notion that it is a singular region (a ‘concept’ that port has helped to become predominant). Winemaker Rita Ferriera is bold in her vision to expose not only these terroirs but also to highlight how good some of the dozens of indigenous grapes can be. She makes a striking and exciting red wine from Bastardo, for example. Conceito makes wines in the eastern Douro, which has a distinctly different climate (far more arid) from the lower Douro.

This white blend is made from four varieties of indigenous grapes: Rabigato, Codega, Viosinho, and Gouveio. The vines are 80 years old and everything is dry farmed. Rabigato is known to be a low quality and high yielding grape (so it is all the more amazing what Ms. Ferriera has done with it), while Codega is a blending grape traditionally used in Madeira. Viosinho is a high acid grape used in blending white port (along with all the other varieties listed here) and is known to bring orchard fruit and floral qualities into the mix. Gouveio is similar to Verdelho and offers high acid and citrus characteristics but can produce good balance between sugar and acid. Gouveio is also frequently used in Portugal’s sparkling wines.

Superlative White Wine

Conceito’s Vinho Branco is a show stopper. I was frankly floored when tasting this as it approximated a very good white Bordeaux in quality and makeup. The wine’s creamy density finds its home perfectly within a superbly balanced high acid structure with extremely expressive citrus and floral notes. There are certainly some apricot pith notes in this wine that add to the complexity of its very full bodied palate. Texture is often what separates great wine from good wine and, for my palate, Conceito’s Vinho Branco has a perfect textural balance between voluptuous silkiness and mouthwatering crispness.

It is frankly revelatory that white wine this good is being made in the Douro and I urge any forward thinking agency to pick this winery up and bring it into the province. The prices are superb, the quality unmatched and the labels and marketing well suited to the North American market. You can find these wines right now in some U.S. states and in the UK.

Excellent and Highly Recommended Value
24 euros in Oporto, Portugal (at an amazing bottleshop that I will share with anyone traveling there)

Spotlight on Spain: Martivilli Verdejo White Wine 2006

Rueda is perhaps the most interesting wine region in all of Spain. Its story is certainly amongst the most compelling in the wine world. It begins as the Moors withdrew from Spain during the Reconquista, aggressively destroying everything they left behind. The devastation in the region between the Duero and Valladolid rivers was so severe that the lands remained uninhabited and unplanted for 100 years. During that time, the lands lay fallow and began to regenerate. One of the products of this regeneration was an obscure wild vine now known as Verdejo.

In the 11th century, the king of Castile-Leon provided incentives to entice farmers to return to Rueda. The incentives were successful and many farmers tried their hand at making wine from the local wild grape vines. However, during this period Sherry was considered to be one of the greatest wines in the world, and since Jerez was still under control of the Moors at the time, wine makers in Rueda decided to mimic the style by producing oxidized wines. What’s particularly weird about this is that Verdejo oxidizes pretty much naturally. It is so sensitive that it starts severely oxidizing as soon as it is picked. The inherent quality of the grape made it easy to create a style of wine that mimicked sherry and eventually became extremely popular in its own right.

Everything came crashing down in the 19th century when phylloxera entered the region and devastated the vines. The destruction of Verdejo meant that these wines lost their inroads to Sherry, which saw a resurgence that lasted for about 100 years. The strange agricultural policies of Franco led to consistent prices being paid for tons of grapes no matter what kind of quality. This led to massive plantings of the easy to grow Palomino, which did not make wines of any distinction.

This stagnation remained in place until Rioja producer Marques de Riscal entered the region in the 1970s. Riscal is intriguing because then director Francisco Dolagaray was not a fan of the traditional oaky style of white wines being made in Rioja, so much so that Riscal did not produce any white wines. To remedy this he decided to search around Spain to find the best possible place to make white wine. After looking at Penedes and Rias Baixas, he settled on Rueda and its indigenous grape Verdejo.

Now, the most significant change by the 1970s was the advent of sophisticated modern technologies that allowed for the harvesting of Verdejo with inert gases that prevented oxidation. This same technique is used today and it is very extreme. The pickers pick wine at night and put the grapes into small plastic boxes on trucks where inert gas is blown across them to displace any oxygen present. The harvest is then transported to the winery where grapes are fermented in a sealed tank which is filled with inert gas. The entire process all the way up to bottling sees the grapes and, eventually, the juice and wine, completely protected from oxygen until bottling.

This crazy modern process completely changed the character of Verdejo. No longer were oxidized wines necessary. Instead, Verdejo exposed its character as a crisp, herbal and very aromatic white, and one that many now believe is perhaps the best in Spain.

These days, Sauvignon Blanc is also planted in the region, but it is the indigenous Verdejo and its crazy history that is sure to capture the imagination of wine lovers around the world. It helps that these wines compete with the Albarinos of Rias Baixas and the Chardonnays of Penedes for the title of Spain’s greatest white.

Founded in 1988, Martivilli is making modern styled whites in Rueda. This particular 100% Verdejo based white wine is actually fermented in barrel rather than in steel, and the oak character adds an intriguing level of richness to the normally crisp and bright Verdejo.

The nose is very expressive and lovely with apple, bright clean mineral and an almost mossy component. The oak notes are there but restrained. When I tasted this wine I loved the combination of fresh cut mountain herbs, clean and crisp citrusy mineral and the wine’s overall cleanliness and delineation. This is extremely balanced with medium+ acidity and the underlying, almost hidden, richness really starts to strut it stuff with food (try duck terrine, triple crème cheese, or Moroccan/Spanish stewed chicken).

The wine is not only fantastic, but the story and history of Rueda has to be one of the most compelling I’ve encountered in my years as a wine geek. I truly feel like I’m drinking one of the strange fortuitous accidents of history when I sip a Verdejo based wine from Rueda. Awesome. 13% ABV.

Very Good+ and Highly Recommended Value
$30 at Marquis Wine Cellars

Spotlight on Southern Italy: Di Majo Norante Falanghina del Molise DOC 2006

moliseIn this last post of my Spotlight on Southern Italy series I will be looking at both a rare white grape and a very tiny region. The wine region, Molise, is nestled between Abruzzo and Puglia on the east coast of Italy, and it is far enough north to almost be out of what many would consider to be Southern Italy. Molise is a mountainous and heavily wooded region and there are many wines being made in the mountains, although none currently are being imported into the North American market. In fact, most wines made here aren’t sold commercially at all, but made for and drunk by locals. This region is quite poor and so in order for the wines to start improving and being bottled, there will need to be some sort of investment from elsewhere. This producer is an exception to that general rule, and is actually making some pretty good stuff.

The three DOCs in Molise are Pentro d’Isernia, Biferno and Del Molise (which encompasses the entire area). The coastal regions have a very mild climate, with little rainfall in the summer, although this region is cooler than the other, more southerly, regions I have already profiled.

White wines are far less common in Southern Italy than the reds, but Falanghina is one of the more important white varieties. Mostly grown in the Campania region, it produces fragrant and juicy wines and does well in coastal areas. While this grape is blended most of the time with other indigenous grapes, it does come in a 100% form in varietally labeled wines like this one.

IMG_4598Di Majo Norante has its own estate vineyards near the ocean and the town of Campomarino. Even though it is situated in Molise, it makes its wines in a more Campanian style, and so they have Southern Italy at their heart. Di Majo Norante has been bottling wines since 1968 and makes several reds and whites, including some interesting sounding blends.

The nose on this wine was big and promised warm climate flavours with its aromas of ripe apple, tropical mango and guava. The palate was bigger and denser than the nose, with guava, burnt coconut, banana, and honeyed wildflowers. Despite the opulent flavours, the wine finishes very clean, and while this is a lower acid white, it has good structure and a significant and dry finish. The nose and fruit flavours are similar to an Alsatian Gewurztraminer but the opulence and richness of the wine is cut by a line of acidity and a very dry finish. In my mind, this is an extremely well made warm-climate white wine that is also an outstanding value.

Excellent and Highly Recommended Value

$23 at Kitsilano Wine Cellars

And so concludes my first theme in the “Spotlight” series. In conclusion, Southern Italy is producing many great values, although it still has a long way to go before it gets full respect. More investment, modernization, but also attention to detail and proper wine making practices will be necessary to catapult the regions of Southern Italy into the purview of the consumer of high quality wine and beyond the house wine at the local Italian trattoria. Sicily has probably come furthest and closest to this goal. Of course, several of the wines in this spotlight have shown the tremendous value that can be had from Souther Italy, and I think that over the next decade we will continue to see quality improve but prices stay reasonable, making the regions of Southern Italy worth watching.

I hope you enjoyed reading this spotlight as much as I did researching and writing it. If you have any suggestions for what you would like to see change or what future topics would be of interest, drop me a line in the comments.

A Weekend Treat: Flying Horse Napa Valley Petite Sirah 2006

IMG_4577I have one more post to go in the Southern Italy series, but I wanted to write up this little treat I have been sipping on for a few hours now. I feel compelled to do so because this is not only a great value wine, but it represents the difference between thought, care, and passion on one side, and mass market, simplification, and dumbing down on the other.

Petite Sirah is a tough grape to make really well. It’s hard to ripen at high altitudes, but it can get flabby and weak in endless heat. Add to that the tendency of producers these days to add a tremendous amount of oak treatment to their wines, ripen the grapes to obscene levels, and generally burn or manipulate all of the original and beautiful rustic character of Petite Sirah out of it, and you have a grape with great potential but little realization. This bottle of wine shows the possibilities of the variety in California. It could be the next zinfandel.

Petite Sirah, when done right, actually does not have high alcohol, massive fruit forwardness or even simple approachability. Rather, Petite Sirah is rustic just like, say, aglianico is rustic or tempranillo from warmer regions in Spain. Petite Sirah is a very small grape with a high skin to flesh ratio, and therefore a tremendous potential for tannin and extract. But it’s unique because all that great flavour and ageability comes, in California mind you, with the simple pleasure of a wine under 14% ABV. I can’t push this variety enough, as long as you taste the right example.

So, it seems that John Clerides over at Marquis has found THE textbook example of petite sirah. I say this as a PS lover who has had many many expressions of the grape when I lived down in California. The Flying Horse is special. With classic blackberry and plum on the nose, this is a classic kind of wine that doesn’t need manipulation. It is pure in itself. The palate brings tons of berry fruit flesh, and is really alive. You can taste the life in the wine. There is proper acidity here, along with a great mouthfeel. I think this also has a ton of structure that gives this wine the potential to age into something that would equal a $100 bottle of wine. It’s also great because it can clearly pair with food that is made in a more french style rather than the pure fat bbq stuff that most petite sirah needs. The restrained oak does not cover over a fundamental rusticity that keeps the wine real and true to the grape. This is getting more and more uncommon these days. Absolutely wicked. Textbook petite sirah.

NB: The last wine I wrote up this well sold out the day after my review, so please save some for me, I need more of this.

Excellent and Highly Recommended Value
$36 at Marquis

La Peira Les Obriers 2005

IMG_4425La Peira is a relatively new producer in the Languedoc region of France, which is situated south west of the Rhone on the Mediterranean coast. La Peira was started in 2004 by three individuals who believed that the undiscovered Terrasses du Larzac region in the hills of the Coteaux du Languedoc held great potential for grape growing, despite having no history of ‘greatness’ to support that theory. The first wines were bottled as recently as 2008 and were first tasted by U.S. “press” by none other than Gary Veynerchuck of all people – who by the way, loved them. Based on this bottle, I have to completely agree with him here.

To put this producer in perspective, there have been over the last several years as much as four million hectolitres of unsold wine in the Langedoc produced from clumsily machine harvested grapes cropped at high yields. For every Chateau Negly, there are 100′s of innocuous wines produced by wineries or co-ops. The Coteaux du Languedoc is also a massive AOC and much of the region contains sub-regions that, at some point, could become their own AOCs, such is the potential for distinctiveness. If La Peira is any evidence, the Terrasses du Larzac may deserve such an elevation in the future.

I need to put this frankly: this wine is the best red I’ve tasted under $30 in the BC market. It is insanely good for the price. Sure it got some good scores, but forget all that. Think about a wine with power and fruit, but also incredible finesse. If stone could be suave and sultry, then this wine would be stone’s ambassador. Made from a blend of Cinsault and Carignan, this reminds me much of the (much more expensive) top old vine cuvée from Domaine Gauby. The nose has stone, granite, earth, black cherry, and plum. But all those flavours are meaningless, really, since they don’t accurately capture why this wine is great. Moreso than the flavours – which are lovely – it is elegance, balance, and, real personality. That’s right, power (and lots of it) with personality. I cannot believe this is La Peira’s entry level wine. Wow. Oh, and please, don’t go buying all this before I do.

Excellent and Highly Recommended Value
$29 at Marquis ($20 USD at various stores, including K&L Wine Merchants)

Schloss Gobelsburg Gruner Veltliner 2007

IMG_3774This is the antithesis to the Montes wine I wrote up below. Gruner Veltliner is Austria’s most famous grape and definitely one of its greatest. It is also indigenous to Austria and you won’t find Gruners made anywhere else in the world. Gruner produces wines with great acidity, and stark personality. These wines can provide a huge range of experiences, from nutty and oaky to clean, lean, and sharp. Gobelsburg is located in Lower Austria in the region of Kamptal, and this wine is as dry as you would expect of a classic Austrian white. It is also made with purchased fruit, but that doesn’t seem to matter in the hands of wine maker Michi Moosbrugger.

This is the sort of wine that works with things. Grab some sushi and a bottle, or maybe some grilled fish or chicken. Into beer? Basically anything that works with dry lager will also work exceptionally well with this wine. This offers tremendous aromatics for something at this price point – citrus, stone, honey, and a little toast. On the palate this is dry as heck and has an almost oxydized edge to it. It also tastes like lemon, stone, and some round apple fruit. Why can’t all wine be this refreshing? Tart, alive, and superb value. Why can’t more wine makers understand the beauty of acid, and the distorting character of over-ripe wines that can’t carry their alcohol? I could drink this all the time. The Montes? Not so much.

Very Good+ and Highly Recommended Value
$20 at BCLDB; $23 at Taphouse Liquor Store

Brasserie d’Ecaussinnes La Penneffoise

IMG_4001British Columbia has recently begun to improve its selection of craft beers, which is nice to see. However, most of them are merely solid but not overly exciting examples of a particular style. Perhaps I was spoiled by spending 5 months embroiled in California’s thriving micro-brew culture, but my exposure to fine beers in the U.S. changed my perception of what is truly great.

This is all the more reason why I think this Belgian ‘prune’ beer is super. It has a level of complexity and experimentation that you rarely find in the BC market, and, well, it’s just really darn tasty. Being a fruit beer, some might expect this to be based on a weisse style or on the lambic style. It’s not really either of those – instead being a hybrid between a belgian strong ale and a wild ale. The nose on this is fantastic: similar to a geueze lambic or a beer made with brettanomyces yeast, this also has a nice wet forest/cellar smell while pushing subtle belgian fruit esters forward. The prune aroma is subtle but present.

Best of all, this beer is not made with added sugar or in a sickly fruity sweet style. You can still taste the prune and the fruit, but the beer actually finishes dry and wonderful. There is a degree of complex malting going on here that is similar to what Allagash or Lost Abbey do with their beers and something you don’t taste very much in BC. This is very full and robust while being light and creamy in the mouth. The 8% ABV is completely unnoticeable. I’m sipping on this right now and thinking “I love this beer”. If you want to taste a real beer in Vancouver, do not pass this by.

Excellent and Highly Recommended Value
$15 / 750ml at Viti

Domaine Saint-Damien Cotes Du Rhone Vielles Vignes 2007

IMG_3647This is the first of the 2007′s, a lauded vintage in the southern Rhone, that I’ve dipped my nose into. And a happy nose it was. This wine exceeds what is generally probable to discover in Vancouver at its price point, and proves why seeking out the small guy can pay big dividends.

The nose on this GSM had cherry, fig, a little earth and toast, and a nice medium body. This is classic southern Rhone, and actually smells far more like a Gigondas than a Cotes du Rhone. That is probably due to the lucky addition of declassified Gigondas fruit to the blend. The palate is a pepper blast and has tons of cherry fruit and real intensity of flavour while maintaining medium body and weight. An immensely enjoyable wine at this price, and indeed tasting almost as good as a higher end Gigondas.

Very Good+ and Highly Recommended Value
$20 at Marquis