Spotlight on Southern Italy: Di Majo Norante Falanghina del Molise DOC 2006

moliseIn this last post of my Spotlight on Southern Italy series I will be looking at both a rare white grape and a very tiny region. The wine region, Molise, is nestled between Abruzzo and Puglia on the east coast of Italy, and it is far enough north to almost be out of what many would consider to be Southern Italy. Molise is a mountainous and heavily wooded region and there are many wines being made in the mountains, although none currently are being imported into the North American market. In fact, most wines made here aren’t sold commercially at all, but made for and drunk by locals. This region is quite poor and so in order for the wines to start improving and being bottled, there will need to be some sort of investment from elsewhere. This producer is an exception to that general rule, and is actually making some pretty good stuff.

The three DOCs in Molise are Pentro d’Isernia, Biferno and Del Molise (which encompasses the entire area). The coastal regions have a very mild climate, with little rainfall in the summer, although this region is cooler than the other, more southerly, regions I have already profiled.

White wines are far less common in Southern Italy than the reds, but Falanghina is one of the more important white varieties. Mostly grown in the Campania region, it produces fragrant and juicy wines and does well in coastal areas. While this grape is blended most of the time with other indigenous grapes, it does come in a 100% form in varietally labeled wines like this one.

IMG_4598Di Majo Norante has its own estate vineyards near the ocean and the town of Campomarino. Even though it is situated in Molise, it makes its wines in a more Campanian style, and so they have Southern Italy at their heart. Di Majo Norante has been bottling wines since 1968 and makes several reds and whites, including some interesting sounding blends.

The nose on this wine was big and promised warm climate flavours with its aromas of ripe apple, tropical mango and guava. The palate was bigger and denser than the nose, with guava, burnt coconut, banana, and honeyed wildflowers. Despite the opulent flavours, the wine finishes very clean, and while this is a lower acid white, it has good structure and a significant and dry finish. The nose and fruit flavours are similar to an Alsatian Gewurztraminer but the opulence and richness of the wine is cut by a line of acidity and a very dry finish. In my mind, this is an extremely well made warm-climate white wine that is also an outstanding value.

Excellent and Highly Recommended Value

$23 at Kitsilano Wine Cellars

And so concludes my first theme in the “Spotlight” series. In conclusion, Southern Italy is producing many great values, although it still has a long way to go before it gets full respect. More investment, modernization, but also attention to detail and proper wine making practices will be necessary to catapult the regions of Southern Italy into the purview of the consumer of high quality wine and beyond the house wine at the local Italian trattoria. Sicily has probably come furthest and closest to this goal. Of course, several of the wines in this spotlight have shown the tremendous value that can be had from Souther Italy, and I think that over the next decade we will continue to see quality improve but prices stay reasonable, making the regions of Southern Italy worth watching.

I hope you enjoyed reading this spotlight as much as I did researching and writing it. If you have any suggestions for what you would like to see change or what future topics would be of interest, drop me a line in the comments.

Spotlight on Southern Italy: Feudi di San Gregorio Aglianico del Vulture DOC 2005

map_campania_smThe Campania region of Southern Italy finds its centre in the city of Napoli (Naples), a strange chaotic place if I’ve ever seen one. The wine growing regions here sprinkle themselves around the region, with the most famous being the three DOCGs inland from Naples around the city of Avellino. Campania, like the rest of Southern Italy, has a hot climate comparatively to many European wine regions save a few in Spain and Greece. Campania has also had a long history of producing low-quality wines.

The one exception to this trend was the producer Mastroberardino, whose 1999 Taurasi Aglianico Riserva I’ve written up before and included in my top wines of 2009. It was largely Mastroberardino, too, that prompted the considerable increase in quality in Campania, and in particular, within the DOCG Taurasi. There are, I believe, 3 DOCG regions and about 19 DOCs. However, the DOCs only comprise 7% of the region’s wine production, clearly indicating that there is a lot of room for improvement in quality. That said, there are real signs of potential here, particularly with some of the ‘cult’ blends such as Montevetrano, which blends merlot and aglianico.

Most of Campania’s red wines (which comprise 64% of the total wine production) are made from two grapes: piedirosso and aglianico, with aglianico being the most important. Quality aglianico has, within the last decade, spread beyond the confines of Taurasi, where it first became famous via the wines of Mastroberardino. Aglianico is thought to have been brought by the Greeks to Italy.

Map_vulture_in_basilicataHowever, this particular aglianico is not grown in Campania, but in the neighboring region of Basilicata. The Vulture DOC (one of only two DOCs within Basilicata) has volcanic soils, similar to Taurasi, but is also quite mountainous and thus produces very tannic aglianico, compared to the fruity versions of southern Campania or the dense and less tannic versions of Taurasi itself. Winemakers in this region have recently increased their use of French oak, which I suppose would help add to the structure of this grape. I would fear, however, that too much oak would make the wine almost unbearably tannic. The particular version I tasted, however, was not over the top.

IMG_4574
The wine itself, from producer Feudi di San Gregorio (one of the biggest of Campania), was extremely structured. Made from 100% aglianico, this had a yummy nose of cherry, strawberry and earth. The huge palate was quite tannic, with bright acid, tons of black pepper, cedar, black cherry, and a dark brooding fruit character that makes this wine quite deep and thoughtful. While the acidity is quite high, and the mid-palate is perhaps a bit too bitter right now, if you pair this with the right foods (say a spicy sausage pizza or pasta) the harsh characteristics will mellow out. Or, you could simply lay this down for a few more years – it could take it easily. A woody wine, but a tasty one. Not in the same league as the Mastroberardino Taurasi Riservas, but also a good $50 less.

Very Good to Very Good+
$35 at Kitsilano Wine Cellar

Aglianico is a grape with many variations, the ability to express terroir, and tremendous future potential. It’s one of my personal favorites from Southern Italy, and it is the perfect wine to let age for a while and pull out of the cellar in some years to surprise your fellow wine geeks. Wines made from this grape have stuffing.

Spotlight on Southern Italy: Two Nero d’Avolas from Sicily

winemapSicily has been an important wine region for thousands of years. Much like Apulia, Sicily was a cultural cross-roads throughout most of European history, and has been controlled by the Greeks, the Romans the Byzantines, the Arabs, and the Catalans from Spain. And, amazingly, the land has been under vine throughout the majority of that history. Perhaps this is why Sicily is now Italy’s largest wine producing region.

What I found particularly interesting when doing research for this post was the discovery that Sicily has very similar climate and soil conditions to Napa Valley. Nonetheless, Sicily hasn’t really had much of a reputation for good dry red wine, instead being much more famous for the dessert wine known as Marsala. I chose not to write about Marsala, however, because what is now exciting about Sicily is its increasing presence in the world of quality dry red wines. Particularly, critics’ eyes and praise have turned towards wines made from the nero d’avola grape over the last several years. While there are many versions of the grape that are pretty simple wines, there are also some very complex renditions of the grape available. And, even so the cheaper nero d’avolas usually offer good value for the money and make good house table wines. Plantings of modern international varieties such as chardonnay, merlot, and syrah are also beginning to populate the island, but in my mind it is what is going on with indigenous grapes that is most interesting. There are 19 DOCs in Sicily, and quite a few indigenous grapes beyond nero. If I have time in a future post I may discuss one of the DOCs that produces wine from pretty obscure grapes in more detail. For now, nero d’avola is king.

vigne_sicilia

Modern wine making techniques have now engulfed Sicily. While not all producers use modern techniques, machine harvesting and commercial yeasts, etc. are becomming more and more common. The best producers, of course, will avoid such practices, but as a consumer one should be aware that they exist. However, there are still two distinct lines of attack when it comes to Sicilian nero d’avola: the traditional and the modern. Even wines made with modern techniques can be traditional in their approach to flavour and structure. Some of the big hot shot wineries, such as Planeta, which I review below, are pumping up the oak treatment and reducing yields considerably to produce more modern styled wines.

IMG_4564The first nero d’avola I tried was the Donnafugata Sedara Nero d’Avola IGT 2007, a wine made in a pretty traditional style (even with obvious modern techniques and cleanliness) by one of Sicily’s oldest producers (going on 150 years). The nose is classic for this variety with meat, black pepper, char, and blackberry. The palate is bright and soft up front with blackberry and red plum. The mid-palate is pretty simple and serves up a peppery side of game. The finish is soft and short and the wine has a very soft and sweet tannin structure. This is a pretty simple wine – it’s not going to wow anyone. And there are certainly much better nero d’avolas around for a bit more money. However, this still beats out a lot of $20 wines for drinkability and overall quality and it is made well, with all the components in balance. Grab this for the traditional pairings of a red meat pasta, pizza or side of game and you will probably be very happy. 

Good+
$20 at BCLDB

The second nero d’avola I tried was the modern styled Planeta Santa Cecilia IGT Nero d’Avola 2006. Planeta is a modern dynamo winery in Sicily, founded in the 1990′s by cousins Alessio, and Santi Planeta and their uncle Diego Planeta, who was already famous in Sicily’s wine scene. The story behind this particular wine is that the company founders and the wine maker wanted to find the best possible site in Sicily for nero d’avola and produce the highest quality wine from this variety possible. After years of searching they found a vineyard in the very southeasterly Noto region of Sicily that they felt was perfect for the grape.  This wine is 100% neroIMG_4065 d’avola, is fermented in steel tanks and is aged for 12 months in 2-3 year old French oak. The vines for this nero d’avola are pretty low (although not miniscule) yielding, offering 8.5 tons per hectare.

This is a modern wine. But, it is also a very very good wine. With a nose that introduces many layers and types of earthy flavour, game, smoke, meat, and dark black fruits, this had great expressivity already. The palate was sparkling and incredibly unique – a plush dark fruit layer washes over the palate up front and then cascades into plums, a tangy blackcurrant, wildflowers, and manuka honey. There is greaty body and length to this absolutely killer bottle from Sicily. A hint of mocha tickles the palate on the finish as the smokey charred game fat rumbles forward to complete the wine, but the oak treatment, while noticeable, is very thoughtful and adds to rather than disrupts the fruit. This is nothing like Planeta’s wines made from the international varieties like syrah and chardonnay. This is very distinctive and very Sicilian even while being modern and unlike classic nero d’avola. One of the most exciting wines I’ve tasted in the last year or so and completely worth the pennies.

Excellent
$49 at BCLDB

Nero d’avola is clearly producing wines of great merit in Sicily and I would look out for both the simple bottles for a weekday meal and the slightly pricier and more interesting creations for a special occasion. Both are well priced for what you get. Southern Italy really is on a roll with the quality for value moniker that us wine geeks love to hate. I say, so far the wines of Southern Italy are hitting all the right places.

Spotlight on Southern Italy: Cantele Salice Salentino Riserva 2004

negroamaro_wine_grapeYesterday I introduced the Spotlight on Southern Italy series with a look at the Apulia region (in the southeast), and specifically at the primitivo grape. Primitivo, however, is a relatively new development when it comes high quality wine in Apulia. The main grape for such wines has always been negroamaro, which technically means bitter black, but I don’t think that name is particularly useful in describing these wines.

The negroamaro grape produces pretty dense wines, known for their dark colour and rustic earthiness, and is perhaps one of the oldest varieties in Italy. The Salento peninsula (the heel of the boot) was a cross-roads between many ancient cultures, including Phoenician, Greek, and Roman. In fact, the original Greek settlers brought a special cultivation method known as “alberello speronato”, which sees grapes grown on low bush vines. This avoids the need for trellising, and is made possible by negroamaro’s unique physiology of sturdy shoots with short internodes. The Salento region, which is the best and most important region for negroamaro, has very little surface water, which, given the very hot climate I discussed in my last post, requires constant tilling of the soil in order to avoid the need for irrigation. All that said, this traditional method of growing negroamaro is becoming less and less common with the introduction of machinery and irrigation. My hope is that the best producers will keep this unique method alive.

While one can find 100% negroamaro, it is pretty hard to do so in North America. Most of the time one will find blends, as is the case with this Salice Salentino wine. Such blends usually have a required minimum of the grape, but also add varieties such as sangiovese or malvasia nera to round out the wine. Salice Salentino is a DOC designation and as such requires a minimum of 85% negroamaro.

IMG_4555This particular wine is a blend of 85% negroamaro and 15% malvasia nera, a variety known for its intense fragrance. Aged for 6 months in old oak, the oak characteristics are barely perceptible in this wine, which allows the fruit to speak for itself. There is a lot of pleasure to be had here, even if the wine is straightforward. On the nose I got dark cherry, earth, flowers, and metal. The nose is a bit shut down when you first pop the cork, so make sure to give this a good decant. The palate continues the dark cherry and adds meat and spice in the mid palate. The finish grabs hold with hints of chocolate, herbs and earth. While some criticize negroamaro for being a bit backward, this particular wine is not ‘rustic’ in a bad way at all. Instead, it’s got old world finesse and understatedness, but great smoothness and is a very clean wine. While I could not find out that much about this producer, they seem to be making modern wines with good density and structure, but also great balance. Add in the spicy earth characteristics, a pizza or pasta, and the very reasonable price tag, and you have a winner.

Very Good
$22 at Kitsilano Wine Cellar

Spotlight on Southern Italy: Apollonio Primitivo NV

puglia_wine_mapIn order to give my blog some more focus and increase both the educational dimension and the simple fun of blogging I’ve decided to create a weekly focus for the blog, whether it be a region, a grape, or a concept in wine-making. Each post in a given week will focus on a different aspect of the weekly theme, and I hope to prompt discovery of the lesser known, the unnoticed and the misconceived. This week’s focus is on the wines of Southern Italy, a large area with several regions that often get neglected by wine drinkers. And, this is a shame given both the quality and the values to be had in the region. In this week’s posts I will be focusing on wines from Apulia (the heel of Italy’s boot), Campagnia (near Naples), and Sicily, starting with a primitivo from Apulia.

The sheer bulk of wine produced in Apulia is surprising – its annual production makes up around 17% of the national total. For a country that is the largest wine producing nation in the world, that’s a considerable volume of juice. The tradition here for some time was to ship grapes north to Turin in Italy where it was made into Vermouth, or to ship wine to France as a fortification for the French stuff when vintages were bad. This has changed recently, and more and more producers are looking to make and bottle high quality wines within the region. This shift from large production and boring wines to wines made from lower-yielding vines and better agriculture practices is starting to show tremendous promise for the region. The relatively superb value of the wines is a good reason to explore.

Apulia sees sun nearly the entire year round and has an extremely temperate climate. There is almost no rain there either – so we’re talking a climate that is considerably different from the famous regions in Northern Italy. This type of heat means that grapes will ripen more easily and will tend to produce wines with higher brix (or sugar levels). Despite this intense climate, Apulia is not producing wines that are similar to California, instead producing wines with more old world panache.

There are actually 25 DOC wines (the mid-level Italian quality rating) within Apulia, including Primitivo di Manduria. While this wine is labelled as a Salento Rosso IGT ”primitivo”, it is made 100% from that grape. There are debates about primitivo’s origins, with some sources claiming it was brought into Apulia by Phoenician settlers thousands of years ago, and other claiming that it was brought to Italy as late as the 1700′s. In any case, primitivo is a fascinating grape and, although the two are not completely genetically identical, it was recently discovered that it is the likely origin of California’s zinfandel – a wine that has become synonymous with the state. Unlike California zin, however, Italian primitivo tends to be earthier and a bit more rustic, even as its fruit power is undeniable. The dense concentration of Italian primitivos is a relatively recent development. As I mentioned above, the improved vineyard and wine-making practices are to thank for the dramatic increase in quality wines from the region. In fact, the large producer Antinori has moved into the region and is starting to produce wines from the primitivo grape.

Luckily, for now the clout and recognition of this region is small, though growing. This tends to mean that the wines are tremendous values and very fairly priced. I should mention that the great power of Italian primitivo also does not sacrifice natural acidity like California versions often do. The higher levels of natural acidity in Italian primitivo make it more successful at pairing with food. Too often California zinfandel’s high alcohol and low acid make it extremely difficult to fit with anything other than the most robust foods.

IMG_3833The producer Apollonio – who make this wine – is located on the Salento peninsula of Apulia, which even with the hot climate sees incredibly cold nights, which preserves acidity in the grapes and retards the ripening of the grape to allow for more even development. Production sits around 50 000 cases, so this is not a super small producer, although also by no means a huge one. It’s actually quite amazing the quality Apollonio consistently manages even with this relatively large production. Clearly the wine-maker knows what he is doing.

The nose on this wine was big and deep with plum, cedar, earth, sage, spice and some black cherry. The palate is equally big, but also has nicely balanced natural acidity and brings great fruit with cherry, plum, and peach, laced with chocolate. The palate is smooth and not at all hot, and the wine finishes with some length and a sage-like herbal quality. This wine has amazing fullness, but balanced alcohol and acidity. Real wine for a real price – a fantastic start for this week’s spotlight.

Excellent
$30 at Kitsilano Wine Cellar