I recently attended Taste BC, a wine tasting event put on by Liberty Wine Merchants as a benefit for the BC Children’s Hospital Foundation. The event featured a host of BC wine makers, breweries and food purveyors as well as live music. It was quite an excellent opportunity to taste a wide range of BC wines and meet and chat with the winemakers. Such tastings are always a bit of a whirlwind for me since I tend to work fairly professionally and mechanically through the tastings to find the best wines. This year I decided to bring my video camera and shoot short interviews with some of the winemakers about certain wines that I thought stood out. This year’s video includes interviews with Tantalus and Le Vieux Pin. I wanted to include Meyer Family Vineyards, because I think they are making some pretty darn good wines, but unfortunately the audio was simply too quiet, given the poor acoustics of the room. Otherwise, the event was very enjoyable and I recommend that anyone interested in BC wine attend next year.
As for my picks of the show, here’s what I thought were the best wines of the night:
Ex Nihilo Vineyards Riesling 2007 – Very Good $25
Le Vieux Pin Pinot Noir “Belle” 2006 – Very Good+ $45
Le Vieux Pin Sigma Blanc white blend NV – Very Good $?
Meyer Family Vineyards Chardonnay 2008 – Very Good+ $35
Meyer Family Vineyards McLean Creek Vineyard Pinot Noir 2008 – Very Good $40
Meyer Family Vineyards Central Okanagan Vineyard Pinot Noir 2008 - Very Good+ $40
Tantalus Vineyards Riesling 2008 – Very Good+ $23
Tantalus Vineyards Rosé 2009 – Very Good+ $22
Tantalus Vineyards Pinot Noir 2007 – Very Good $?
Vista D’Oro 2007 – Very Good $49
Wild Goose Vineyards Stoney Slope Riesling 2008 – Very Good $23
Vega-Sicilia is Spain’s icon winery, and is situated in Ribera del Duero. It’s vaunted history began in 1864, and has since seen four different owners. The current owner, Pablo Alvarez, is constantly escorted by bodyguards since the winery’s icon status makes it a target for Basque separatist groups. That’s not the sort of fact you hear about a winery very often.
Pintia 2005: I tasted the 2003 vintage of this wine with
Alion 2004: I have previously tasted the 2002 Alion, which was nothing at all like this superb vintage. Alvarez says this is “made in a style with less shouty oak” than the Pintia, and it shows. A more supple and elegant wine, the nose on this was smoother and softer than the Pintia, with blue and red fruit, and some pepper and spice. I found the nose still closed, but promising a lot. The palate was very elegant and refined, with far less power than the pintia, while still being a big wine with a boat-load of flavour. There is a lot less fruit here, though, with plenty of herbs, smoke, cigar, and leather. This has great length and structure. I think the 2004 is a must buy wine for the cellar for anyone at all into Spanish wine. Excellent to Excellent+. $85 at Everything Wine and BCLDB.
Unico 1998: Unico is probably the most legendary wine of Spain. I have been wanting to taste this icon ever since I got into wine, and never thought I’d ever have the chance. Unlike a California icon wine, this wine has over one hundred years of tradition behind it, and while techniques have modernized, the style has stayed very traditional, which is part of what gives this wine its uniqueness. Alvarez uses some crazy techniques to make this wine, transfering it from new oak and back to old oak over and over again over a period of two years. Pouring a dark red, this was still youthful looking, even though it had 11 years of bottle age. The nose had lots of earth and herbs, some cherry fruit, but was also very meaty and leathery. This was almost like drinking a saddle: leather, rich earth, with dense plum and fig notes, the fruit is secondary to the leather and meat. The tannins are still firm, but the acidity is less volatile than the Valbeuna, perhaps due to the extra bottle age. While this was a singular wine, I don’t think it was showing perfectly well at the tasting, and perhaps needed more bottle age. So, while I was happy to taste it, I can’t say, based on what I tasted, that this is worth the money. That said, this is certainly a wine that will change dramatically with time, and I think its icon status is well deserved given its sheer uniqueness, its impressive structure, and its clear adherence to tradition. Excellent. $380 at Everything Wine and BCLDB.
Tokaji Oremus late Harvest 2004: The basic dessert wine, this was lighter and more acidic than I was expecting, but I enjoyed that aspect of it tremendously. With a nose of fig, grapefruit, and citrus candy, I loved the freshness here. The palate, again, had lovely acidity and lightness with apricot, fig and tons of dried fruit leather notes. This is not as layered as a Sauternes (although also made via Botrytis), but you can actually drink a lot more of this because of its lower sugar and high acidity levels. I think this would be a great wine for those who find dessert wines to be too syrupy and viscous. You can actually finish a bottle of this without a sugar headache. Very Good+ to Excellent. $34/375ml at Everything Wine.
Yesterday I attended a tasting with Chris Camarda of Andrew Will Cellars, one of Washington’s top estates. Chris started making wines in a tiny rented space in Seattle before expanding and moving to Vashon Island. In fact, Andrew Will was the first wine producer in Washington state to make single-vineyard varietal wines. Over time Chris has changed his philosophy and now all the wines are blended in a Bordeaux style and are meant to express the uniqueness of the particular site from which they come. All are made with the same methods and the same care.
Up next was the 2006 Ciel du Cheval Vineyard red blend, made from 40% Merlot, 37% Cabernet Franc, 19% Cabernet Sauvignon, and 4% Petit Verdot. Ciel du Cheval is the hottest site of all the wines, and this is immediately noticeable in the sweetness of the wine. I do not want this to appear as a derisive comment, however, as the wine is impeccably balanced. The nose had sweeter red fruits, chocolate, and sandalwood. The palate was definitely sweeter than the Two Blondes, but was incredibly flavourful with red and blue fruits, chocolate, and a touch of wood. This is more typical in flavour for Washington Bordeaux blends, but it also has amazing structure and fantastic mid-palate density and length. If you like a bigger and sweeter style, this wine is for you. Excellent. $80 at Marquis and BCLDB.
The last wine I tasted is Andrew Will’s flagship, ‘reserve’ style wine - the 2006 Sorella “Horse Heaven Hill” – made from the Champoux Vineyards. Chris selects the best barrels for this wine, and unlike the Champoux Vinyeard blend, makes this as a predominantly Cabernet Sauvignon based wine, with 71% Cab Sauv, 17% Merlot, 8% Cab Franc and 4% Petit Verdot comprising the blend. This was very very tight at the tasting and needed either a lot more decanting or a lot more time in the bottle. That said, it was an awesome wine, with blue fruits, black cherry, earth and some clay on the very dense nose. The palate was tight but showed superb concentration and structure: blue and black fruit, hefty tannins, and a bit of confection. The finish is short right now, but this will change. If you pick up a bottle of this, it needs at least 5-6 years in the cellar before you can think of opening it. If you have patience, though, this will probably be the most structured and nuanced of the bunch. Excellent. $90 at Marquis.
The tasting began with a structured look at several wines from across the Loire led by Matt Sherlock of Kitsilano Wine Cellars (who sell several very intriguing Loire wines). Matt did a great job extolling the virtues of hand picked wines with real ‘personality’ that you can buy for $20 from lesser known appellations versus machine harvested cuvées from famous regions for twice the price. That said, I do also think that sometimes consumers prefer the mainstream not only because it is easier to understand, but because sometimes the traditional flavours that wine geeks can find boring are more appealing to the average palate than the crazy and wacky. Luckily I enjoy being estranged from what I drink and wines that challenge my palate and my expecations. The Loire is, really, a wine geek’s paradise.
I can’t go through all the wines I tasted, but I can point out some of my favourites. I really enjoyed a Cour-Cheverney from Domaine Huard that Jon Ellison of Marquis gave to me with pride. Romorantin is a crazy grape but also amazingly palatable with a richness similar to chardonnay, but with extremely tight acidity.
(crazy richness but beautiful and driven acidity – one of the most balanced dessert wines I’ve had and again, along with a great Coteaux du Layon, proving to me that sweet Loire wines are some of the best stickys in the world), and a pretty great tasting Sancerre from Crochet with crazy persistence and length.
A seasonal event for Marquis, I always appreciate the opportunity to taste a couple dozen wines for free. Why more stores don’t do this is beyond me. Generally Marquis sets up these tastings in the back of its store, with one table for whites and one for reds. The staff are always around to chat about the wines. This particular tasting took place on a very sunny day and I think a lot of passers by dropped in for a taste – some of which I am sure were there just for a quick quaff without caring too much about what it was.







